(Sol)ar Memories

o som que falta

Memória de uma Criança Afogada

Regresso à casa de partida antes que a partida seja definitiva

The living and the dead speak of the life of a three-year-old boy.

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

Diniz Galvão

Medicina 70

Las personas somos incluso aquello que no contamos

Real memories get confused with invented ones, while the movie's director investigates his parent's past in a work that wanders between fiction and documentary.

Bailando al Margen: Vogue, Waack y el arte de la expresión.

Lembrança, A Maior das Artes

Preciso Te Contar Uma Coisa

Pelé - A Origem

A la porra

Fragmentos

A visual essay on the stimuli that draw a bridge to past memories of my life; a real documentary about where I was and where I am, what I did and what I do; a reflection of the person I was and continue to be.

Follows Iwao Ichikawa, a second-generation Japanese Mexican, navigating racial segregation in Mexicali, Baja California during WWII, offering a poignant exploration of identity and belonging amidst adversity.

Ritual de Luz

Ancla

Tan só o demo lembra