Glorious Technicolor

Documentary film interviews leading Latinos on race, identity, and achievement.

Podium

Spider-Man and Daredevil team up to fight Kingpin.

A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.

Jean Vigo : le son retrouvé

A portrait of a family living in a village in Masuria.

Gente de mesón

Documentary about the history of experimental cinema in Spain. FRAGMENTS is a historical survey of “the other” Spanish Cinema — films that brazenly explored their artistic, poetic and conceptual potential. Spanish experimental cinema can be glimpsed in a series of important yet isolated events that FRAGMENTS compiles through various firsthand accounts, film excerpts and documents. For the first time in Spain, a documentary brings together the most relevant of a cinema that is slowly losing its invisibility.

Good Farm

The filmmaker interviews still surviving residents of Las Hurdes, where Buñuel shot a controversial documentary almost 70 years ago, and compares the area as shown in that work to the way it seems now.

Jesús Franco, manera de vivir

Lucian Freud: Painted Life

The camera slowly pans through a room as Smolders offers various observations and memories.

An anxiety-riddled woman and her husband reside in a small, secluded house in the forest. They live a relatively peaceful life until one night when the woman appears to fall sick and die.

Fritz Lang, le cercle du destin - Les films allemands

Oxígeno para vivir

A day in the life of Mr. Istvan and Ms. Magdi, neighbors for many years, is narrated by the building of Budapest where both live. The walls surrounding them reveal their small passions, stories and routines.

The Russians Machine

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

Documentary that reconstructs the professional life of the dancer through the thread of his own voice. A work that travels to the fundamental landscapes of the personal history of Gades with unpublished documents and the testimony of those who shared with him many pages of the book of his life and the history of Spanish dance in recent decades.