Left Behind

On October 1, 2013, the elusive street artist Banksy launched a month-long residency in New York, an art show he called Better Out Than In. As one new work of art was presented each day in a secret location, a group of fans, called “Banksy Hunters,” took to the streets and blew up social media.

A documentary revealing why America's school closures lasted longer than almost any other nation. Framed as a forensic analysis of what happened to children during school closures, it blends director Natalya Murakhver's perspective as a Soviet immigrant with voices of children and families nationwide, exposing devastating learning loss, mental health crises, and inequality.

This documentary offers an intimate look at the life and legacy of American abstract expressionist Franz Kline. Through personal memories and reflections from those who knew him—such as fellow artist Willem de Kooning, de Kooning’s wife Elaine, and other contemporaries—the film paints a vivid portrait of Kline’s personality, artistic spirit, and lasting influence. Known for his powerful black and white compositions and bold brushwork, Kline is remembered not only for his art, but also for his wit, warmth, and passionate approach to painting. The episode explores both his creative process and the deep friendships that shaped his career.

In the 1970s the North American Soccer League marked the first attempt to introduce soccer to American sports fans. While most teams had only limited success at best, one managed to break through to genuine mainstream popularity - the New York Cosmos. The brainchild of Steve Ross (Major executive at Warner Communications) and the Ertegun brothers (Founders of Atlantic Records), the Cosmos got off to a rocky start in 1971, but things changed in 1975 when the world's most celebrated soccer star, the Brazilian champion Pele, signed with the Cosmos for a five-million-dollar payday. With the arrival of Pele, the Cosmos became a hit and the players became the toast of the town, earning their own private table at Studio 54. A number of other international soccer stars were soon lured to the Cosmos, including Franz Beckenbauer, Rodney Marsh, and Carlos Alberto, but with the turn of the decade, the team began losing favor with fans and folded in 1985.

The story behind Blondie's album Parallel Lines, which sold 16 million copies and captured the spirit of 1970s New York at a time of poverty, crime and an exploding artistic life.

Central Park: The People’s Place is a loving portrait of New York’s collective backyard. It is a biography of a living place that continues to evolve as the city changes. The documentary explores its historic creation as the first truly public park, its psychological and sociological significance, artistic design, and role as an urban oasis as the world becomes increasingly aware of the importance of green spaces. The film celebrates nature’s seasonal changes with beautiful photography and original music that capture the “good vibes” of a park filled with New Yorkers at play. Home to birdwatchers, sunbathers, kids playing in the snow, musicians giving impromptu concerts and big events like Shakespeare in the Park and the New York City Marathon, Central Park is central to the life of the city. Central Park: The People’s Place examines both the collective and individual experiences of Central Park, rejoicing in the diversity and splendor of an American experiment in social democracy.

Bulletproof explores the complexities of violence in schools by looking at the strategies employed to prevent it. The film observes the longstanding rituals that take place in and around American schools: homecoming parades, basketball practice, morning announcements, and math class. Unfolding alongside these scenes are a collection of newer traditions: lockdown drills, teacher firearms training, metal detector screenings, and school safety trade shows. Bulletproof asks what these rituals reflect back at us, looking beyond immediate causes and responses to mass shootings in a cinematic meditation on the array of forces that shape the culture of violence in the United States.

The B Side Fighter

On August 15th, 2006, filmmaker Ryan Dacko set out to get a 30-minute meeting with a major Hollywood producer by running on foot from Syracuse, New York to Hollywood, California.

Kristina, a self-named Hungarian female lion tamer, arrives in New York to become a dance choreographer. Kristina, now a middle-class NYC artist concerned about the environment, has a sailor lover named Raoul. The film, a collage work, an essay film, a fictional narrative and a documentary all rolled into one, is one of the most important independent American feminists films made during the 1970's.

A documentary about a very shy feral cat adopted by people at the public tennis courts in NYC's Riverside Park and how she came to trust a very few of them.

Eleven-year-old New York City public school kids journey into the world of ballroom dancing and reveal pieces of themselves and their world along the way. Told from their candid, sometimes humorous perspectives, these kids are transformed, from reluctant participants to determined competitors, from typical urban kids to "ladies and gentlemen," on their way to try to compete in the final citywide competition.

Wandering Spirit School, organized by concerned parents, broke with tradition by introducing subjects that are of particular relevance to its pupils. Traditional Indigenous stories, traditions, languages and crafts balance the program of academic subjects required by the Ontario Ministry of Education. The experience of the children at Wandering Spirit is contrasted with the very different life experienced by their parents, educated in the old residential schools.

A cinematic portrait of the homeless population who live permanently in the underground tunnels of New York City.

Max Gimblett: Original Mind documents the life and process of eccentric, creative genius Max Gimblett. One of New Zealand’s most successful and internationally prominent living painters, Gimblett has been working in America since 1962. The filmmakers spent a week in Gimblett’s Soho loft where he and his devoted studio assistants generously revealed the techniques and philosophy behind his beautiful art.

A collection of personal anecdotes from those who have navigated through a tumultuous year in America.

The film is a controversy on democracy. Is our society really democratic? Can everyone be part of it? Or is the act of being part in democracy dependent to the access on technology, progression or any resources of information, as philosophers like Paul Virilio or Jean Baudrillard already claimed?

Les influenceurs sont dans le pré

A 2004 documentary on thirty years of alternative rock 'n roll in NYC.Documenting the history from the genuine authenticity of No Wave to the current generation of would be icons and true innovators seeing to represent New York City in the 21st century

Before there was Disneyland, there was Coney Island. By the turn of the century, this tiny piece of New York real estate was internationally famous. On summer Sundays, three great pleasure domes--Steeplechase, Luna Park and Dreamland--competed for the patronage of a half-million people. By day it was the world's most amazing amusement park, by night, an electric "Eden".