Aphex Twin – Windowlicker

Hop on your flying carpet, because this musical parody retells the classic tale of Aladdin... from the villain's point of view! Long ago in a Magic Kingdom, one misunderstood Royal Vizier will go on a quest to save his city from its bumbling sultan, an invading prince, and the most notorious thief to ever live! With the help of the Kingdom's free-spirited, teenage Princess, the Vizier must find a magical lamp containing a wish-granting Djinn (who's really funny, by the way) and defeat the city's most-wanted criminal... Aladdin! This musical adventure celebrates and lovingly pokes fun at everyone's favorite series of hand-drawn, animated films.

The first of Perry Como's Christmas specials includes appearances by Rich Little and figure skater Peggy Fleming as well as performances by the Carpenters and by Perry Como himself. Also featured a reenactment of the Birth of Jesus Christ.

The life story of a potato, which was born in one of the fields and then was taken to the city along with her other counterparts. Once in the apartment, she oversees the life and atmosphere of the new place. The potatoes meets a knife and falls in love with him at first sight...

Break-dance trash musical comedy/parody based on William Shakespeare's Romeo & Juliet.

The adventures of two amiably aimless metal-head friends, Wayne and Garth. From Wayne's basement, the pair broadcast a talk-show called "Wayne's World" on local public access television. The show comes to the attention of a sleazy network executive who wants to produce a big-budget version of "Wayne's World"—and he also wants Wayne's girlfriend, a rock singer named Cassandra. Wayne and Garth have to battle the executive not only to save their show, but also Cassandra.

After three years of hustle in the capital, Jony Nyberg is dumped and forced to move back into his mother's mobile home, still parked in the Motown of Finland. Returning to the hoods he grew up in, Jony has to contend with loose ends from his past, including a repressed hip-hop persona known locally as "MC Pahis".

A satire of the Great American Way, with Lemonade Joe a "clean living" gunfighter who drinks only Kola-Loca Lemonade and convinces everyone else in town (with his gun skills) that all "real men" drink ONLY lemonade!

The film is a parody of Disney's Fantasia, though possibly more of a challenge to Fantasia than parody status would imply. In the context of this film, "Allegro non Troppo" means Not So Fast!, an interjection meaning "slow down" or "think before you act" and refers to the film's pessimistic view of Western progress (as opposed to the optimism of Disney's original).

Exploring every facet of ‘Weird Al’ Yankovic’s life, from his meteoric rise to fame with early hits like ‘Eat It’ and ‘Like a Surgeon’ to his torrid celebrity love affairs and famously depraved lifestyle, this biopic takes audiences on a truly unbelievable journey through Yankovic’s life and career, from gifted child prodigy to the greatest musical legend of all time.

Set in Prohibition era Chicago, bootlegger Robbo and his cronies refuse to pay the greedy Guy Gisborne a cut of their profits after Guy shoots mob boss Big Jim and takes over. When Big Jim's daughter, Marian, gives Robbo a large sum, believing he has avenged her father's death, the gangster donates to an orphanage, cementing his reputation as a softhearted hood.

An all-singing, all-dancing, star-spangled musical leap around the biblical story of the Nativity, set in 1972. With a comic twist, this familiar story is brought to life through the eyes of the innkeeper. Despairing after a bad year, he contemplates suicide but his attempt is stalled by a voice from above who points out that King Herod is coming to town.

A comedy/musical utilizing both new songs and parodies from the original (Gilbert and Sullivan's Pirates of Penzance), as well as references to popular films of the time, including Star Wars and Raiders of the Lost Ark. In your typical boy meets girl, boy loses girl, boy fights girl with swords plot, the story revolves around Mabel ...

Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".

"This Is Spinal Tap" shines a light on the self-contained universe of a metal band struggling to get back on the charts, including everything from its complicated history of ups and downs, gold albums, name changes and undersold concert dates, along with the full host of requisite groupies, promoters, hangers-on and historians, sessions, release events and those special behind-the-scenes moments that keep it all real.

The story of the rise and fall of the Pre-Fab Four.

This is the tragicomic story of two lovers who cannot ever get together.

Twenty-three years after the release of the original Beatles mockumentary, 'The Rutles: All You Need Is Cash', famous artists, actors and musicians speak out on how The Rutles influenced them.

The Monster Mash was originally too hardcore for some to handle.

This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.

In this surrealistic and free-form follow-up to the Monkees' television show, the band frolic their way through a series of musical set pieces and vignettes containing humor and anti-establishment social commentary.