An intimate portrayal of the everyday lives of Carthusian monks of the Grande Chartreuse, high in the French Alps (Chartreuse Mountains). The idea for the film was proposed to the monks in 1984, but the Carthusians said they wanted time to think about it. The Carthusians finally contacted Gröning 16 years later to say they were now willing to permit Gröning to shoot the movie, if he was still interested.
A journey into time, landscape and consciousness: The Southwestern United States in the black-and-white moving images and unsettling instrumental music. Entropy of the American dream.
A young man recalls different moments of his life, reflecting the preservation of memory, the enigma of time and the inevitability of death
Bananas, eggs, and tuna: three basic foodstuffs with three wildly different points of origin. Moullet begins with these on his plate but constructs his film by working backwards and finding the sources for these items and how they reach our plates. As Moullet’s investigation deepens, however, the film moves beyond the confines of a simple exploration of food origins into more political and social realms, not only relating to food but also to the medium of film.
This shows physicist Stephen Hawking's life as he deals with the ALS that renders him immobile and unable to speak without the use of a computer. Hawking's friends, family, classmates, and peers are interviewed not only about his theories but the man himself.
A paralysingly beautiful documentary with a global vision—an odyssey through landscape and time—that attempts to capture the essence of life.
Logistics or Logistics Art Project is an experimental art film. At 51,420 minutes (857 hours or 35 days and 17 hours), it is the longest movie ever made. A 37 day-long road movie in the true sense of the meaning. The work is about Time and Consumption. It brings to the fore what is often forgotten in our digital, ostensibly fast-paced world: the slow, physical freight transportation that underpins our economic reality.
Three weeks to make three films. Filmed in my last semester before College. "Time", "One Night", "8x8".
An abstract film consists of static shots of a small house-like being demolished through temporal ellipsis.
Particle physicist Professor Brian Cox asks, 'What time is it?' It's a simple question and it sounds like it has a simple answer. But do we really know what it is that we're asking? He investigates the concept of time, exploring its origins and its limits, and questioning whether travelling through it will ever be possible. Brian visits the ancient Mayan pyramids in Mexico where the Maya built temples to time. He finds out that a day is never 24 hours and meets Earth's very own Director of Time. He journeys to the beginning of time, and goes beyond within the realms of string theory, and explores the very limit of time. He discovers that we not only travel through time at the speed of light,but the experience we feel as the passing of time could be an illusion.
In Galician, Devalar means “the passing of time over things”. This short movie is a portrait of a seaside Galician village, on the edge of the Atlantic ocean, drawn by the memories of the director.
Mila and María are two teenagers who get to know each other through video correspondences they send to each other. One day, they arrange to meet in person.
"Eternal Theater" is a thought provoking documentary examining the Christian teaching on the afterlife.
"Time" takes you through the city at night, capturing fleeting moments. With dynamic visuals and an atmospheric soundtrack, this short film explores the nature of existence and memory. Narrated by David Bowie, it invites you to reflect on the passage of time.
Get ready for an AI-generated journey through the space of scales.
This documentary from PBS travels throughout America in search of the best breakfast places the country has to offer. Along the way, the patrons, employees, and owners of such establishments give their take on what makes for great breakfast fare, and what keeps a customer coming back for more.
Set in the mountains of northeast Italy, this film may be considered an observational documentary about rural life. Although this is undeniably the case, at the same time Under the cold stars can hardly be considered a documentary: the microcosm on which it focuses appears to be a reflection of a broader reality and perhaps a way to deal with the themes of man’s existence and his relationship with animals, nature and, most importantly, with time. As written by Franco Piavoli "it is a film which essentially relies on images and sound, where words themselves are sound and the music of life, of the relentless flow of time."
Born June 8, 1964, Frank Matter films four "twins", born the same day as him, but in other latitudes. Interweaving their life stories with rich archival material, the filmmaker links these Parallel Lives with elements from his own biography, to compose a fascinating fresco where intimate trajectories are part of the advent of the global village.
We live in a new age. We are always rushing, rushing for no reason, rushing for nothing. As though time had sped up. Everything implies speed, urgency. But ultimately, why does time seem so short? This film is about the director’s conflict about time and the lack of it in today’s world; she reflects on civilization and the future of existence.
It’s a paradox. Never before in history we have worked more efficiently. Never before we have saved time with more sophisticated technologies. Anyway, nearly all of us are feeling an increasing pressure of time. It seems that the same technology that has been invented to make our life better and easier, is now enslaving us. Why?