Taylor Swift, la première puissance américaine

In 1937, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army, on the basis of anti-black racism. Fast-forward to 2013, the Dominican Republic's Supreme Court stripped the citizenship of anyone with Haitian parents, retroactive to 1929, rendering more than 200,000 people stateless. Elena, the young protagonist of the film, and her family stand to lose their legal residency in the Dominican Republic if they don't manage to get their documents in time. Negotiating a mountain of opaque bureaucratic processes and a racist, hostile society around, Elena becomes the face of the struggle to remain in a country built on the labor of her father and forefathers.

55 years ago, on October 1 1968, the first brand advertising spot appeared on the French television screen. Over the next three decades, thousands of creative little films would seduce and build our collective memory. Kitschy or cult spots, humor, slogans, music, stars, gimmicks, grand spectacle or sex appeal: during its golden age, how did advertising convince? Thierry Ardisson has brought together almost 400 advertising clips to relive the era of the conquest of minds and wallets.

An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.

As obesity progresses inexorably, Sylvie Gilman and Thierry de Lestrade investigate the causes of this planetary plague and reveal the fight waged in certain countries to stem it.

Between the end of the Second World War and the abolition of the "offence of homosexuality" in 1982, 10,000 sentences were handed down in France. Sentences in correctional courts, fines and sometimes imprisonment, the convictions were mainly against men. The last witnesses of this period speak out and tell of four decades of clandestine life, just before the tragedy of AIDS.

Documentary and reflection about the effects of technology.

A young city girl explores the idea of beauty with her uncle Michel, a retired farmer from the Beauce region. An amusing and touching encounter between two visions of art and the world.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

A trio of female soul singers cross over to the pop charts in the early 1960s, facing their own personal struggles along the way.

Guy Debord's analysis of a consumer society.

The first film in what would ultimately become Zilnik’s famed Kenedi trilogy follows street hustler Kenedi Hasani and his friend as they roam the streets of Serbia seeking Kenedi’s parents. Kenedi Goes Back Home is Zilnik’s account of the Roma people who were forced to flee from the war in the Balkans to Germany in the 1990s and who, ten years later, are forced against their will to return to Serbia. Zilnik shows the immigrants' lives in relation to the prevailing ideology shaped today by the borders between rich and poor and by the often-racist selection process that determines who will be accepted into Western Europe. In presenting the dilemmas and identifying the crises these people face, he appeals for a solution.

Les Derniers Secrets de l'humanité

Prête-moi ton docteur

A journey into the heart of America's past and future. The story revolving around the mysterious woman, overlooked by historians, who had a profound influence on George Washington, his vision for America, and its independence – a vision that can deeply influence the nation’s present need for healing and unity.

A documentary on the life of the youth in post-Independence India.

The story of those Italian women who, for eighty years, have fought against power in all its forms.

The former talk show host speaks out from behind the glass at an assisted living facility where a restrictive guardianship has made her a 'prisoner.'

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

A fictional documentary that portrays the city of Dakar, Senegal, as we hear the conversation between a Senegalese man (the director, Djibril Diop Mambéty) and a French woman, Inge Hirschnitz. As we travel through the city in a picturesque horse drawn wagon, we chaotically rush into this and that popular neighborhood of the capital, discovering contrast after contrast: A small African community waiting at the Church's door, Muslims praying on the sidewalk, the Rococo architecture of the Government buildings, the modest stores of the craftsmen near the main market.

Der Orient - Wiege des Christentums