Binge!

An executive recalls how he may have ended up going from his golf game to an autopsy room.

A young woman buys a secondhand film camera with leftover film inside. She and her boyfriend take it out to shoot photos at an abandoned building. When they develop the film, they notice mysterious traces appearing in their photos.

"The acid soil of New England, its wide stretches of hardwoods, its numerous sugar maples, its rolling or mountainous character, the sunshine of its autumn weather, all these contribute to the glory of this annual display. The birches of Maine the aspens of the White Mountains, the sugar Maples of Vermont, the long rainbow of the Connecticut River Valley cutting from top to bottom through New England, the Berkshires - mention these to anyone who has traveled widely through a New England fall and you will evoke instant memories of superlative beauty." -Edwin Way Teale, Autumn across America, 1956

The sun rises over the tide pools of coastal Maine.

Somewhere between the mountains and valleys a small autumn flower bloomed.

A young mariachi faces his first performance alone but discovers his brother has always been by his side.

White’s camera offers several 360-degree pans of views of the fairground, then amazes by tilting up and down the Eiffel Tower, and concludes with a stunning tracking shot to the highest point above Paris. Exhibitors freely grouped films into nascent narratives such as those displayed here. - Bruce Posner

A coming-of-age story about the first time you act against your true nature. Inspired by the old wives tale - eating the bread crusts makes your hair go curly - Paris explores and her relationship with her crusts, her best friend, and her hair.

Set in an alternate, post-apocalyptic 1976, a filmmaker follows a worn and disillusioned photographer who, despite the circumstances, continues to make pictures.

Inundated by the relentless, breakneck pace of Seoul, a weary woman seeks to anesthetize her misery with alcohol and partying. Longing to break free, she will have to take a leap of faith to find solace and serenity.

Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.

Two people attempt to connect over a great distance.

Albert has spent his whole life wanting to travel but he has been stuck at home, living in a small town making enamel signs. He has saved up everything he has and reluctantly sells his home and livelihood to embark on this trip, a lifelong dream that will honor a deceased friend. But the journey he will embark on is not what he has anticipated.

All she knows comes from the screens. All she has known is the screens. A screen breaks and everything changes.

Made with thread, chain, beads, tacks, hex nuts, bolts, steel eye pins, hooks, clasps, tracing paper, prints, IKEA paper measure, bobby pins, 35mm photographic film strip, 16mm film strips, nail polish, screenprint, mesh fabric and lace.

A wordless vacation on a catamaran between a Father and his Son, where the Captain sails the boat while they both relax.

Made primarily using 35mm black & white stills film, which was developed and scanned at home, the film explores themes of memories, nostalgia, and our relationship to still and moving image and how those two mediums differ in regards to how we process the passing of time.

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.

Short film of a general landscape about the saturation of the city. 35mm.

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