Scorpionikas – Countermanifesto

Through a series of interviews with leading British AIDS activists and cultural theorists, this documentary investigates the way in which AIDS has been used by the media and by the government to increase state harassment of gay men and lesbians, black people and women. Framing the problem in terms of a left politic, the tape reveals how both homophobia and puritanism have been responsible for the slow government response to AIDS.

Three strangers immersed in the world of camming come together to discuss its impact on young people. But their views are radically different. While one sees it as a respectable trade full of dedicated and liberated women, another sees it as a direct exploitation of the male libido. The third sees it as a haven for lonely people like himself to reconnect with the intimacy that’s missing from their lives. What they don’t know is that they all have one person in common – and she’s watching the conversation from the next room. Bex is a curvy cam model, and she’s witnessing their unfiltered feelings about her and the industry unfold. Filled with passionate debates, disagreements, humour and revelation, will our common people unite? Or will their revelations polarise them further?

The history of New York’s Meatpacking District, told from the perspective of transgender sex workers who lived and worked there. Filmmaker Kristen Lovell, who walked “The Stroll” for a decade, reunites her community to recount the violence, policing, homelessness, and gentrification they overcame to build a movement for transgender rights.

Documentary about the Lyon sex workers who occupied the church of St. Nizier on June 3, 1975.

This powerful documentary explores the intersection of two crises — war and the HIV epidemic. The film follows HIV-positive Ukrainian activist Yana Panfilova as she joins “Through Positive Eyes,” a global photo-storytelling project. The film looks to the resilience of a new generation, navigating survival and community through art and activism.

One of the most powerful video documentaries of our time boldly reveals the modern medical-industrial complex’s dire descent into utter corruption. HIV/AID$ - A deadly and dangerous DECEPTION! This feature-length expose explains exactly how the 300-Billion-dollar AID$ fraud began, why HIV can NOT be the cause of AIDS, what the real causes could be, and who manipulates the public’s good intentions while poisoning hundreds of thousands with toxic drugs that cause the very disease they are supposed to prevent.

The Last Gift: Jim’s Courage, Our Hope is a moving short documentary exploring the intersection of science, altruism, and human dignity at the end of life. The film follows Jim Dunn, a man living with HIV who chooses to participate in UC San Diego’s Last Gift Study, a pioneering research effort enabling people nearing death to donate their bodies to science immediately after passing, helping researchers uncover where HIV persists despite treatment. Through intimate conversations, reflections on mortality, and moments shared with his wife Susan, clinicians, advocates, and scientists, the film reveals Jim’s profound desire to contribute to a future free of HIV. With honesty and grace, it captures the emotional complexity of end-of-life decisions and the extraordinary courage behind them. Jim’s legacy reminds us that scientific progress is built not only on data, but on human generosity, relationships, and hope.

The film provides information about the course and symptoms of AIDS, the effect of AIDS viruses on the immune system, the routes of infection, the main risks of infection and the protective measures against them.

"No Refunds" is a visceral, tangled descent into the transactional dynamics of intimate encounters, told through the language of bodies, sheets, and reflections, where the purchase of queer sex work is laid bare. As the filmmaker simultaneously takes on the roles of client and audience, the boundaries between documentary and performance fade, unraveling the artifice at the heart of sex work and the act of filmmaking.

The current trend to render prostitution a profession "as any other" is belied by women who were themselves prostitutes. With clarity and courage, the women in this film reveal the hidden face of that so-called "sex work". They are 22, 34 or 48 years old; they live in Montreal, Quebec and Ottawa - They have recently given up prostitution, or are trying to escape it. These women are leading the bitter fight to turn their lives around and it is a long and lonely struggle fraught with difficulties. Shot in a Cinéma Vérité style, The Fallacy (L'imposture) takes us to the heart of their realities.

British filmmaker Beeban Kidron ventures onto the mean streets of the South Bronx and other New York locales to examine the lives of those involved in the city's thriving sex industry.

Positive Gymnastik

This follow-up to the 1989 documentary ONE YEAR IN A LIFE OF CRIME revisits three of the original subjects in New Jersey during a five-year period in the 1990s. We share in their triumphs and setbacks as they navigate lives of poverty, drug abuse, AIDS, and petty crime.

An experimental documentary engaging with decades of DIY activist media, two death bed/legacy videos, and the wisdom of many living AIDS workers, as we all sit together in one (changing) format, video—VHS, hi-8, digital, Zoom—to address these and other questions: How do neighborhoods, sweaters and scarves, videotapes and queer bars hold ghosts? How do we let them go?

Tanzanian queer singer Tofa Jaxx in conversation with HIV/Trans activist Aunty Ali, exploring issues of sex work, gender and being out.

Award-winning short film, Clankers, is an investigation into the sinister rise of AI-generated sex workers today.⁠ ⁠

Sex is a taboo topic in China, even though China is a large importer of the Japanese Adult Video (AV) industry. What happens when a Japanese adult video star such as Yui Hatano comes to China? This film shows the China's sexual liberation in a comedic way.

The Director reflects upon and seeks to understand the causes and the events that lead to her drug-addicted prostitute daughter being murdered at the age of 26.

Short documentary about artist Keith Haring, detailing his involvement in the New York City graffiti subculture, his opening of the Pop Shop, and the social commentary present in his paintings and drawings.

Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.