Oblivion: The Original Texts

Hélène Berr, une jeune fille dans Paris occupé

“Archeology” and “Archive” share the same roots. Both words come from “Arkhé”, the Greek word for “origin”. In the ruins of buildings, lost forever by earthquakes, as in the depth of the archives, we dig. What happened the morning of the big earthquake? The morning of September 19th 1985 is fading away in our memories. These recordings have never been seen. Unedited images of the catastrophe dug out by the archaeological adventure of an archivist that suffered with them. He dug and suffered until he could no longer see.

In 1952, Amédée took his own life by jumping into the Seine. No one knows the reason for this tragic act. His story comes to us in bits and pieces.

The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?

A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.

Nearly forty years after the moon landing the men on the mission reveal what really happened. On how close the mission came to disaster.

11 septembre : En direct du cockpit

Haunted by the weight of an unfinished project, an architect battles insomnia by silencing distractions within his home. In the depths of silence, he confronts inner demons, leading to a haunting journey with a destructive outcome.

The sinking of the Titanic sent shockwaves around the world and started debates that continue to this day. But new, explosive evidence from the most unlikely of sources may finally lay all arguments to rest and reveal, for the first time, the full story of what possibly doomed the "unsinkable" liner. Join us as we unveil recently discovered and never-before-seen photographs of the super ship that exposes shocking clues that investigators and historians once dismissed but can no longer ignore.

Emilio Pascual, a historical figure of Andalusian cinema from the early 1900s, appears in today's Malaga with the mission of bringing the first documentary filmed in Andalusia to its first screening.

14-18, les tunnels de guerre

Since the defeat, the Nazis, who were the masters of the occupied zone, and the French State, which had been ruling the so-called free zone since Vichy, ordered the Jews to take a census. From the spring of 1941, whether they had been French for several generations or naturalized for a few years, foreigners who had taken refuge in France or stateless people who had been driven out of their country, they were put on file, arrested or threatened at any time. Some wrote to the administration, or directly to Marshal Pétain, who seemed to them to be the last resort. These requests are called Suppliques. Men, women, sometimes children, tried as best they could, by all means, to loosen the trap. They address themselves to their executioners, but they do not know it.

For many, the name Malvinas/Falklands evokes an absurd war between England and Argentina in 1982. For Julieta Vitullo, the protagonist of this film, this tragic history becomes deeply personal 25 years later when she suffers a loss associated with her search to uncover that past, unfolding into a life-affirming struggle for renewal and rebirth. This film tells the story of two trips, one made in 2006 and the other in 2010. In the space between one trip and the next, between past and present, between the public and the private, between what can and cannot be told, the movie reflects on the possibilities of conveying extreme life experiences, presenting landscapes and sounds that suggest subtle contours of that shape, 'The Exact Shape of the Islands.'

"Dear Jinri" explores the daily concerns and thoughts of actress and singer Sulli, whose real name is Choi Jinri, where she talks about her childhood, career and more in this interview she gave in 2019.

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

What happened after Einstein fled Nazi Germany? Using archival footage and his own words, this docudrama dives into the mind of a tortured genius.

Fifty years have passed and Julio still hasn't managed to get over the disappearance of Miguel, the actor starring in a film they made together when they were young. In an attempt to reconstruct what happened, Julio sees some tapes he filmed while they were shooting and decides to write a farewell letter to Miguel's ghost.

It was one of the great crimes of the Second World War: from 1941 to 1944, a total of 872 days, the siege and starvation of Leningrad by the German Wehrmacht on Hitler's orders lasted. Over a million people fell victim to the blockade, most of them dying of hunger. Countless of these starving people wrote diaries with the last of their strength, and cameramen filmed in the paralyzed city. Evidence from the hell of the siege, many of the film recordings, but above all the written memories on which this documentary on the occasion of the 80th anniversary of the liberation is based, remained under lock and key after the war. The voices of those who had suffered through this terrible time should not be heard by anyone, because they did not fit the pathos of the Leningrad heroic song that was officially sung. Most of the recordings come from women. The writers feared neither the enemy nor the Communist Party or Stalin, who often proved incompetent in providing for the population.

In 1989, a woman writes a letter to her mentor. She reminisces about a life-changing campaign they spearheaded to save a historic home, Irving Gill's Walter Luther Dodge House in Los Angeles, twenty years prior.

A tangled network woven with tiny particles of movements broken out of found footage and compiled anew: the elements of the "to the left, to the right, back and forth" grammar of narrative space, discharged from all semantic burden. What remains is a self-sufficient swarm of splinters, fleeting vectors of lost direction, furrowed with the traces of the manual process of production.