Time Keeps Marching On

For its reproduction, the megaloprepus dragonfly specifically relies on periodic puddles in tree holes and bromeliacea in tropical rain forests. Territorial males tenaciously defend these resources. Females lay their eggs in the water holes of the territorial males and are guarded by them. Any satellite male - i. e., one without a territory - who tries to grab a female is driven away by the territorial male.

The film shows the prey-catching behaviour of the edible frog at a small garden pond and at a gravelpit. The catching of creeping and (under experimental conditions) hanging earthworms, of flies sitting on the surface of the water and of egglaying dragonflies (Sympetrum spec.) in tandem position are visible.

The film gives a complex insight into the gap in political reality of Slovakia - one of the EU countries - which became visible after an investigative journalists Ján Kuciak and his fiancée has been brutally murdered at their home. Following mass demonstrations led to substantial changes in the country's government, but the film doesn't follow history, but much more the universal processes behind the curtain. Journalists, (ex?)-officers of secret services, lawyers and analysts helps to reveal detective story in search of whom ordered to murder a journalist and an innocent girl. But main concern of the film is to reflect mechanisms of oligarchy and mafias (including the Italian) to blackmail key players of the system, to influence public perception and to penetrate police, judiciary and the government in their efforts to rule the country in the ways leading to their profits.

To help visualize the dramatic final chapter in Cassini's remarkable story, NASA's Jet Propulsion Laboratory produced this short film that features beautiful computer-generated animation, thoughtful narration and a rousing score. Producers at JPL worked with filmmaker Erik Wernquist, known for his 2014 short film "Wanderers," to create a stirring finale video befitting one of NASA's most successful missions of exploration.

This short follows the early career of actress Jane Barnes. She starts by doing extra work. After several months she is offered a studio contract (the "first step"). However, her work consists mostly of fashion shoots and bit parts that end up on the cutting room floor. She is even used as a stand-in for Maureen O'Sullivan on the set of a Tarzan movie when camera angles and lighting must be set up.

With his industry on lockdown and no end in sight, Toronto chef Luke Donato tries to keep his culinary passion alive during the COVID-19 pandemic - even if it means teaching a group of misfits online.

A nature documentary about the predators in the Swedish winter mountains: the owl, the bear and man.

In southern Italy, stateless migrants pick the tomatoes the rest of the world will taste. But what about these workers’ European dreams? Will they be ground to a pulp? Our canned tomatoes are picked by migrant workers who have come to southern Italy to realise their dream of Europe. However, they never get beyond the tomato fields. This documentary shows how the tomato broaches a broader issue. Will the pickers keep believing in their dream, or fight against a Europe where others reap the sweet rewards of their disillusion?

A secret culture of foragers hunt the Matsutake, a coveted Japanese mushroom worth up to $1,000 a pound—although its true value lies underground as a brilliant networker and healer of ruined landscapes. The Matsutake might just be our last, best hope for an American forest system run amok.

In the Kalapalo cosmogony (an ethnic group that lives in the Xingú Indigenous Park), water is as old as humans and is the source of life. That is where all their sustenance comes from, their food, their drink, their joy. The idea of using water as a dumpster, of poisoning water is a dystopia. In this documentary Chief Faremá —from Caramujo village on the banks of the Kuluene River— tells us about the birth of water and warns us about the consequences of disrespecting it.

Con Traje y Sin Zapatos

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

Two old men enter an abandoned synagogue, look at the decay around them, and pray.

Two rabbis show the ruins of an abandoned synagogue to a group of primary school-age Jewish children, and stand by as the children dip bread in honey, drink wine, pray, and sing.

What's on the other side of Fornells bay? Pepe el Malo is an urban legend or he really existed? This documentary doesn't try to shed light on the dark; it rather plays deftly with the ambiguities of a character that is part of the Menorcan imaginary.

Broadcast from 1977 to 1987 on FR3, every Sunday morning, for 1h30, Mosaïque is a variety show with a set where music groups from the countries of origin of immigration perform, and which broadcasts reports on these countries and on immigrants who live in France. When it was created, it aimed to promote the cultures of origin of immigrants, but also to make them better known to the rest of the population. However, the program was never financed by public television which considers that it was aimed at a specific audience and was therefore not part of a public service mission. It received financial support from the Ministry of Labor, through its subsidy to the National Office for the Cultural Promotion of Immigrants, ONPCI (later becoming Information Culture and Immigration, ICEI, in 1977, then Agency for the Development of Intercultural Relations , ADRI). , in 1982).

Documentary film about artist Henri Matisse

A documentary about the hearings of President Nixon's Commission on Obscenity, featuring adult-film producer David F. Friedman (one of the producers of this film) testifying before Congress, and involved in the production of one of his films, "Trader Hornee."

Minuta ticha

Paul Robeson: Here I Stand presents the life and achievements of an extraordinary man. Athlete, singer, and scholar, Robeson was also a charismatic champion of the rights of the poor working man, the disfranchised and people of color. He led a life in the vanguard of many movements, achieved international acclaim for his music and suffered tremendous personal sacrifice. His story is one of the great dramas of the 20th century, spanning an international canvas of social upheaval and ideological controversy.