City Shock

Exploring the conscious, the unconscious and the self, By Winds and Tides takes a deep experimental dive into the birth of an idea—how it takes shape, how it is released. An allegorical quest, the film combines images and words into a singular sigh.

.wszechświat

This experimental short documents the clash, sometimes obsessive, sometimes glorifying, between humans and their mechanized environment. Using photographs, the animator creates varying perspectives through optical manipulation and changing colour, achieving bold and provocative effects.

In 2017, a short anime film called Hypersonic Music Club was produced in Japan. It was directed and written by Osamu Kobayashi, a veteran of the industry who passed away in April 2021. For various reasons, this short anime was never released. It was made public on August 1, 2023.

A time-lapse animated meditation on geothermal energy, erosion, seismic activity and magma. Shot above the Yellowstone Caldera and amongst the Bryce Canyon hoodoos, the film explores how they connect these past cataclysms to the present endangered environment within the sixth mass extinction and future threats to an ecosystem already in collapse. The musical accompaniment, composed and performed by Pauline Kim Harris, is based on a reimagining of the Chaconne from the Partita No.2 in D minor (BWV 1004) by Johann Sebastian Bach.

What lies underneath the Ant Pile?

Organza, a broke artist living in deep space, must travel across the galaxy to seek revenge on her ex in order to cure her mysterious illness. As she meets strange creatures such as museum curators and cyborg pop stars, she learns that perhaps vulnerability is more important than revenge, after all.

The corner of a street is matched and mixed with the chant of a bird recorded on that same street. A symbiotic relationship is triggered: the rapid and successively repetitive montage cuts between the image of the street and the corners of the video frame itself produce new textures and shapes in our brain, whilst the sound follows the same rhythmic movements by emphasizing different “corners” (frequencies) from the bird’s singing. The energetic potency stemming from the junction of these elements creates a new image that is almost tactitle, maleable and rippling. The result is a somewhat humorous operation of the portuguese word "corner" throughout the different stages of making the piece, finally unveiling a piercing physical and kinetic experience for all the corners of our eyes and ears.

A young man walks around town, after deciding against taking his own life, and comes across a dying bird--to which he chooses to offer shelter.

A black-and-white film that takes an ironic look at alienation between the races and the sexes. It is a mix of cell animation, painting, live action and early Atari computer animation.

Cores (Colours) is an experimental and independent animation by Clint Bones. Using Stop-Motion Animation, this film is about Palestine and their long combat with Israel. All that following a 60´s Psychedelia inspired visual.

An underground fight is taking place in a painter's studio between the artist and the ten tyrants.

A meditation on the Moon as a series of spheres melting away. The audio-visuals are synchronized via a repeated glitch process: the same values that databent the visuals are also used to change the base audio samples, creating a translation between a visual glitch and an audible one, even though in the final presentation they seem entirely different.

Radio host and cyber hacker Skinny Mike and his assistant Crutch are asked to hack the Datadyne Corporation by a mysterious client. Created to promote Brain Dead and Gotcha's collaboration for a surf-inspired collection.

Abstract video art set to the music of Philip Glass.

Creating a universe between two small pieces of Cardboard. When Jack and Jill of Cardboard City are separated by Jill's torrid illness, Jack must think outside the box to assure they will be together again.

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

An experimental sampled film which shows the pleasurable art of movies about movies through scenes inside of theaters.

Consistent stylistic-thematic structures link and merge throughout the bewildering event chain. The distinction between organic forms and human artifacts is blurred by the visual style which is enigmatic without being ambiguous.

AEOLUS