365 jours
Two generations dialogue through the images they filmed of their children, a reflection of the emotional bond that arises from their involvement with what was shot.
A visual poem shot on Super 8 through the streets and shops of Amsterdam.
A portal, a sorceress, a fictional device to portray existence as a moment encapsulated inside an instantaneous photograph to present fragmented biographical elements —family disintegration, rootlessness, scars, two loyal companions, the promises of a new land—subverting the notion of a home-movie and transform it into a pilgrimage tool of self-discovery, mirroring the fragile nature of memories.
Fulano de Tal
This film, which was shot on Super-8 and camcorder, is an exploration on forgotten and abandoned sacred sites in England, one of them being the Celtic cross that stands behind a church in Eastbourne.
Maccaia
June 1971 - in a fluid landscape completely below sea level, a young biology student dies during the last year of his studies, leaving behind an unfinished scientific collection. More than fifty years later, a group of ecologists and volunteers are trying to understand and document the same environment as it is today.
A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.
fragments from song lyrics of different artists have given life to this story about love, loss and desperation.
Things get personal when reneage cop Dirty Sally investigates local drug kingpin, The Sugarman.
Seeing himself as a form unable to experience intimacy, he is given the chance when brought to the household of twin sisters.
It is the year 2020 and women have lost the right to their bodies completely. In this tale of sweet revenge, a cult of courageous women go to extremes to take back what is rightfully theirs.
HU
A Vida em Negativo
Flowers, seeds, turmeric, blood and watercolor on Super 8 film.
Crossing an old bridge in the Buenos Aires neighborhood of Barracas, the filmmakers come face to face. They walk towards each other, crossing paths until all that remains is the metal structure of the bridge.
Rose petals, azaleas, clivia, magnolias, geraniums, Japanese quince, rosemary, seeds, blood and acrylic on 16 mm film.
Will More arrives by boat to a "genuine Mediterranean island" and is welcome by "thousands of Chinese girls" who take him to their place and tell him a story about his "ego", which he must immediately look for. Thus he gets to a "wonderful palace", where he meets a hermaphrodite odalisque who materializes the image of his other self and offers him a new and even more fantastic story.
Filmed on Super 8 in Paris, Portrait de Rosa, à la française portrays an intimate love story through quiet images and gentle emotion.