Lala

An exploration of memory after death.

Experimental self portrait

A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.

Fame driven Ken Dean becomes the subject of a documentary when he attempts to start a pornography company. Following the failure of the company, Ken uses his father's religious music to start a Christian rock band but finds himself trapped in a gay conversion cult.

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

Cores (Colours) is an experimental and independent animation by Clint Bones. Using Stop-Motion Animation, this film is about Palestine and their long combat with Israel. All that following a 60´s Psychedelia inspired visual.

Unconventional portrayal of mining in the Swedish Lapland ore fields, a powerful image and sound symphony that can be experienced both as a documentary and symbolic work.

I enjoy religion, I appreciate belief systems and how they offer structure to people's lives. I also appreciate how spirituality manifests itself in Asian cultures as this almost earthbound presence guiding people through every day life and when they need an extra bit of help they need only ask whichever deity holds dominion over their desire. Here is an experimental film I made with videos from my iPhone. Shot across Taiwan and South Korea. An experimental film I made with videos from my iPhone. Shot across Taiwan and Korea. My aim was to explore success in how it pertains to every day life, the satisfaction of small moments, spirituality, superstition, and daily rituals.

"The Pig and the Society," symbolizes the stark contrast between the excesses of wealth and the plight of those left behind. It invites viewers to reflect on their perceptions and prejudices, challenging them to see beyond the surface and understand the systemic issues perpetuating homelessness.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Mike is a young student of cinema, who receive the task to make a Videodiary for his fiction production class in the fifth semester of his career; with only a cellphone in hand begins to document his life day after day, without imagining that he will capture important and emotional moments that will remember forever.

Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?

He's hungry, and chances are you're also hungry, so tag along. Who knows, you might learn a thing or two.

Martine is a marriage counsellor at the Women's Centre in Montreuil. Between files and dance steps, she takes us on a tour of the centre, telling us how she welcomes women who are victims of domestic abuse and the battles they fight alongside the association.

Pedro is Mallorcan, born to a mother from Burgos and a father from Mallorca. Due to his distant relationship with his father, Pedro doesn't fully master Mallorcan as a language. He turns to the works of Damià Huguet to remember his father, as only his poems can fill the void left by his death. The poet's words transport Pedro to his childhood and his roots, even though many of the words are unknown to him, despite them belonging to his language. This becomes the driving force behind the protagonist's search for his own identity, his origins, what it means to be a man, father-son relationships, collective identity, and "mallorquinness". Pedro constantly questions the emotions stirred by Huguet's poetry, and, most importantly, who he is and where he belongs.

Experimental video art shot in the Wallingford neighborhood of Seattle

Angolan director and screenwriter Pocas Pascoal reminds us that it’s time for a change, proposing through this film a look at colonialism, capitalism, and their impact on global biodiversity. We observe that the destruction of the ecosystem goes back a long way and is already underway through land exploitation, big game hunting, and the exploitation of man by man.

Inside a computer a space-time is revealed in which image and sound become numbers and motion manifests as rhythm, flow and chaos. This tracking and integration experiment removes the superficial identity of video to detect kinetic disturbances in everyday environment.

A trans Vietnamese woman's deadname being repeated over and over again.

The artist stalks and serenades Joe Dimaggio in her car as he strolls the docks unaware that she is videotaping his every step.