Groper Touching Train

A woman is groped on a train and employs her molester to make films with her.

A solemn bank office is transformed after being assaulted by her sinister boss. The boss then turns to her younger sister...

In Hatten after Hatten, a man who has become insensitive to love somehow ends up falling in love...

Jinta of Tonegawa, commonly known as Banana Boy. He is a "self-proclaimed artist" who dresses as a woman and performs striptease acts. Accompanied by his attendant "Furuchin," who calls Jinta his teacher and respects him as an older brother. Jinta is a futen boy who travels north, south, east, and west to show off his skills and live a carefree life. However, Jinta, who has a bad taste in men, attacks boy boys wherever he goes, earning him a bad reputation from the promoter, and now he is unable to hear from anyone and is out of money. Kaede, the healthy younger sister, is deeply in love with Jinta, but is worried deep down...

National Route 16 connects Yokosuka, Atsugi, and Fussa. It was a road that connected bases to bases, but it was also a route for the movement of drugs. On such "Dobita Street," a man prostitutes himself, robs, and sells drugs to delinquent American soldiers. A painful fate that forces one to turn to crime in order to survive.

Hatsujô musume: Guri-guri asobi

1974 Toei movie.

A disappointed married woman who was told by a doctor that she could not have children. Her husband drowned in affair with a young woman while treating her gently. She felt uneasy about unfortunate circumstances and aging, but she was confused about her husband's affair.

With the enforcement of the new Entertainment and Amusement Law, what will happen when fashionable massage girls have lost their way?

Chikan densha: Yume yubi de shiri meguri (痴漢電車　夢指で尻めぐり) is a 2010 Pink film directed by Yoshikazu Katō and starring Kaho Kasumi. It was named Fourth Best Film of the year at the Pink Taishō ceremony and Atsushi Tsuda was given an award for Best Actor. Kōsuke Komatsu was given the award for Best Screenplay, though the screenwriter is credited as Tsutomu Kondō.

Shirō raids the office of the organization that attacked his lover, wreaking havoc and escaping with a stolen handgun. In retaliation, the organization hires two killers to get rid of Shirō. The duo begin to develop a strange kinship with their target...

Masako, the young lady of the family estate, returning from overseas following the death of her diplomat father. She had originally left in opposition to his second marriage to the avaricious Tomoko, who now parades her new lover Goro around the house as if it were her own. When the family lawyer informs the gathered masses that it is Masako who is the legal inheritor of the entire estate, her elder sister Sumie and fiance Shinjiro join Tomoko and Goro in hacking up the unfortunate heiress with an axe. It is not long before the assorted pieces of Masako begin cropping up to drive them all insane, followed by her apparition in the traditional white smock with eyes peering wildly through straggly black hair.

Pinku from 1969.

His young wife was assaulted by a man, and they continued their loving relationship after that, so they avoided a criminal case, but a divorce by agreement was reached in the family court. However, in her hidden side, her husband was also a molester. This is a story that exposes these crazy sexual lives and depicts the madness of sexual desire between men and women.

Pinku from 1966.

Three stories of torture, set in Japan's Sengoku, Kan'ei and Genroku eras.

Pinku from 1968.

Pinku from 1968.

Kenzo, Azusa's husband, has a heart condition but his passion for sex has not diminished one iota from the time he was a virile young man. Azusa does not refuse her husband for he is very wealthy and if he should happen to die of excess sex she would inherit a vast fortune. If only Azusa could kill him without staining her own hands. Unable to do it alone, she asks the aid of Naoya who is only too glad to help.

Toshihiko, a high school boy, hates Kozo, his father, enough to kill him. His mother had lived in terror of him and, at last, broken in spirit, she had left and her pitiful departing figure is still seared in Toshihiko's mind. Soon, Kozo marries Asako who is young and beautiful. An idea forms in Toshihiko's mind to get even with his father for the shabby way he had treated his mother. He wonders if he can do it through Asako.