High Performance Imports: Volume 5

Kazuo Hara follows Ayumi Yasutomi, a transgender candidate, who is also a Tokyo University professor, as she embarks on a national campaign for a seat in Japan's Upper House.

In Japan, more than four million young people survive by taking on precarious jobs. They are called “freeters”. The film gives voice to these “discard-after-use” workers, who regard their situation with both lucidity and desperation, as well as to ex-freeters who have become activists in the fight against exclusions.

How the Japanese process American pop culture and make it their own -- a mind-bending odyssey through cultural mixing.

Japan blossomed into its Renaissance at approximately the same time as Europe. Unlike the West, it flourished not through conquest and exploration, but by fierce and defiant isolation. And the man at the heart of this empire was Tokugawa Ieyasu, a warlord who ruled with absolute control. This period is explored through myriad voices-- the Shogun, the Samurai, the Geisha, the poet, the peasant and the Westerner who glimpsed into this secret world.

This is the story of colorful Japanese customs and manners of the past, and their contrast with present-day Japan. We see ancient farming customs, agricultural ceremonies, ancestor worship, schoolteaching, marriage customs, sports, all against the background of beautiful Japan.

In the world of computer games, there are players earning fight money as a PRO. They are sponsored by digital tool companies or beverage companies, and tour around the world to earn money in tournaments. This film goes over the days of Pro Gamers in Japan, USA, France and Taiwan.

The culture of Japan is incredible, from bloom festivals to ultra-modern cities. But there are also more than 130 mammals and 600 bird species dwelling in Japan’s 6,852 islands. This island chain is long enough to span climate zones, providing a huge range of habitat.

Does your parent's car have new dents or nicks? Does mentally reviewing the trip ahead of time help you when driving? When should a senior relinquish the keys or when should someone step in and remove them? The Golden Road: Today's Senior Drivers provides the tools you need in order to recognize, understand and confront these issues with deliberation and care.

Sake is a traditional alcoholic beverage from Japan and is otherwise known as rice wine. Women were prohibited from entering the many large and small sake breweries dotting Japan for centuries. However, times have changed and women are present on the sake scene today. In several cases, they are integral to the Japanese brewery business. The documentary depicts women who are not only enthusiasts, but also leaving their marks on the evolution of this Japanese mainstay.

Megacities is a documentary about the slums of five different metropolitan cities.

This documentary on the "youth movement" of the late 1960s focuses on the hippie pot smoking/free love culture in the San Francisco Bay area.

Leaving Europe to look for Akiko, Jean-Noël discovers her city, the exotic Tokyo. A documentary on everyday life in Tokyo, its KABUKI theater, its nostalgic TAKENOKOZOKU dances, its thousands of suit-and-tie executives, its geishas, its Western style marriages, its tranquil green areas, its pulsating nightlife...

In this tape, Ko Nakajima and Video Earth Tokyo interview a homeless man. The subject is initially angry and frustrated, but gradually opens up and shares stories about his life. Under A Bridge was later broadcast on cable television.

L'empire du sushi

Siblings Aru, age 3, and Kino, age 1, have 3 parents: father Fumino, who is transgender; mother Honoyo, Fumino's partner who gave birth to the children; and father Gon, a close gay friend who donated his sperm. The 3 are now raising their children together, struggling repeatedly to find their own way of being a family. This program covers their first 3 years of parenting. And it asks an important question: What does it take to be a family?

Intimately following 1st and 6th graders at a public elementary school in Tokyo, we observe kids learning the traits necessary to become part of Japanese society.

A journey into the intricacies of mixed-race Japanese and their multicultural experiences in modern day Japan. For some hafus, Japan is the only home they know, for some living in Japan is an entirely new experience, and the others are caught somewhere between two different worlds.

Documentary about Japan's Unit 731 of World War II.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Using never-before-seen footage, Japan's War In Colour tells a previously untold story. It recounts the history of the Second World War from a Japanese perspective, combining original colour film with letters and diaries written by Japanese people. It tells the story of a nation at war from the diverse perspectives of those who lived through it: the leaders and the ordinary people, the oppressors and the victims, the guilty and the innocent. Until recently, it was believed that no colour film of Japan existed prior to 1945. But specialist research has now unearthed a remarkable colour record from as early as the 1930s. For eight years the Japanese fought what they believed was a Holy War that became a fight to the death. Japan's War In Colour shows how militarism took hold of the Japanese people; describes why Japan felt compelled to attack the West; explains what drove the Japanese to resist the Allies for so long; and, finally, reveals how they dealt with the shame of defeat.