Galleries of Paris

A fly-on-the-wall display of lives changing and time passing told through an unanswered question.

Why wouldn't you? Is there any reason not to? We've got so much at our disposal, so, why don't you? Won't you tell me? Won't you please tell me? To have you down is simply unacceptable. Just look at this; or this; at all these hallmarks to guide you and convey to you the prime ways to feel lovely. Just follow them and you'll be set. So, I ask you again... Don't you feel lovely today?

A feature length, lively - montage style - documentary, capturing the essence of what life was like in socialist Hungary - dubbed the "The most cheerful barrack" back then - using contemporary music, interviews, adverts and news footages.

A photomontage telling the story of Jamie’s life from his birth to the moment his mother dies unexpectedly.

A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.

A more experimental aproach to labor protection films. In the line of Săucan's style, the soundtrack is as important as the image, the threatening music, full of shrillness, composed by Ion Dumitrescu potentiating the visual construction that mixes - in a montage reminiscent of the Soviet avant-garde school of the 1920s - all kinds of shooting techniques and frame combinations.

Melbhattan. Melbhattan is part homage, part pastiche of the opening sequence of Woody Allen's seminal 1979 film Manhattan. Melbhattan features more than sixty black and white tableaux of Melbourne each composed to mimic images in Allen's film.

A visual essay that highlights top-down shots from Wes Anderson's filmography.

Older adults cannot believe the things younger people do, but they probably have forgotten they were the same way when they were younger.

Some fun in the sun. Part 3 of The Glue Trilogy.

Penthesilea, the first of six films made by Laura Mulvey and Peter Wollen, traverses thousands of years to look at the image of the Amazonian woman in myth. It asks, among other questions, is the Amazonian woman a rare strong female image or is she a figure derived from male phantasy? The film explores the complexities of such questions, but does not seek any concrete answers.

Borrowing a beloved song from his own 1984 feature Sister Stella L., Mike De Leon made this video in a damning response to the victory election of Ferdinand “Bongbong” Marcos Jr. as president of the Philippines. In a prepared statement at the Cannes premiere of his recently restored Itim, he wrote, “Horror has now acquired a more sinister meaning. It is no longer about a ghost but about the monsters of Philippine politics, monsters that, after a long wait in the subterranean caverns of hell, have returned to ravage and rape my country all over again. The crazy thing is that we invited them back.”

Mounting of the film by Dmitry Frolov on the basis of documentary frames of performances of Russian ballet dancers and lifeless margins of the Russian outback. Symbolizes the slowly naked and dying Russian world.

A grieving widower is offered a pill that can help ease his grief by erasing certain bad memories.

A day full of adventures, experienced by three children.

Mike De Leon imagined Citizen Jake “as an indictment of the Duterte regime using its horrific forerunner [the Marcoses] as a template of authoritarian rule,” and he caused a stir, as usual, in posting this promotional short for the film on social media. This short is essentially a Director's Statement in video essay form, and has been screened at New York's MoMA in their Mike De Leon retrospective.

Film by Aleksandr Medvekin to a metonymic Chinese friend, advocating against Mao and the Ussuri River Skirmish.

A homogeneous structure of wind and light across tree branches in the South region of Isère

A feature length, lively - montage style - documentary, capturing the essence of what life was like in socialist Hungary - dubbed the "The most cheerful barrack" back then - using contemporary music, interviews, adverts and news footages.

Under the direction of a ruthless instructor, a talented young drummer begins to pursue perfection at any cost, even his humanity.