Hayashi Studio

Filmed in the quaint prairie town of Herbert, Saskatchewan, Heaven or Not by filmmakers Zuzana Hudackova and Danijel Margetic is an intimate portrayal of one man's tireless journey to give his life greater meaning. John Gerbrandt, a WWII veteran, has been singlehandedly building a 7,000-square-foot house over the past three decades with nothing more than his pension and salvaged materials. With no formal training, he is fuelled by a powerful determination to prove his worth to his God, his family, and his community. John's story transcends day-to-day life in a small town and reaches the realm of deep spirituality marked by an unwavering commitment. Now at the age of 84, suffering from health problems and the financial burden of property taxes, John might not be able to finish his lifelong endeavor.

Egyptian archeologists dig into history, discovering tombs and artifacts over 4,000 years old as they search for a buried pyramid in this documentary.

A unique behind-the-scenes access to NASA’s ambitious mission to launch the James Webb Space Telescope, following a team of engineers and scientists as they take the next giant leap in our quest to understand the universe.

A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.

Il mio nome è Battaglia

A film about the fearless photographers and photojournalists who documented strikes, demonstrations, protests etc during the Chilean military regime of Augusto Pinochet, sometimes risking their very lives.

Filmed in IMAX, a young Mayan boy who lives close to the ruins becomes acquainted with an archaeologist (Guerra) and asks her to tell him about his ancestors. The crew travelled to over 15 locations in Mexico and Guatemala, including Tulum and Chichén Itzá.

On a hot summer day, a young man from Philadelphia goes for an afternoon dip; when he is 40 feet from shore he gets attacked and dies; five days later, the Bell Captain at a popular beachside resort is also attacked.

Il granchio nudo

Minuta ticha

Considerations on collage as a cognitive act in artists’ cinema. A pedagogical film adrift: 35mm photographs and other materials collected over the last fifteen years by artist Stefano Miraglia meet a text written by Baptiste Jopeck and the voice of Margaux Guillemard.

Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.

Photographer Helmut Newton talks about his work.

This look behind the scenes shows how worldwide camera crews climbed, dived and froze to capture the documentary's groundbreaking night footage.

Real Haunts: Ghost Towns reveals the secrets of America's most fascinating ghost towns with "The Beard of Knowledge", the residents and a family of ghost hunters.

The Concorde remains a legend of the sky. In both looks and performance, it was incomparable, and the technology behind it was nothing less than revolutionary. Learn all about this magnificent craft that was able to fly at over 1300 mph, linking Paris and London to New York in under 4 hours. A unique flying machine, it remains the only supersonic commercial aircraft in the history of aviation.

Nazi propaganda film “exposes” the United States and its plans against Germany and the German people. Shows so-called signs of decay, gang-wars, slums, riots of blacks, etc. Small wonder, the comment is, that the Statue of Liberty turns it back on America.

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

Down the gangway, photographers leave the deck of a riverboat in large numbers.

Familiar Phantoms is an experimental documentary short film about memory, history and trauma.