Telegramas desde el campo de batalla

A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).

An experiment with three dimensions in a moment of clarity: the focus of the camera's lens towards the present, the speed of the train and the material world distorted by the movements of the train.

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

Sequel to Moon Men, Summit of Saturn follows Adrian and Sumner as they live in isolation in the city, unable to figure out themselves creatively. Reality soon starts to dissolve around them as they descend into cosmic madness and they must find their separate ways out.

You go to hell, and it's Jacksonville.

SIN ROSTRO

After discovering a stranger’s livestream, a month unfolds under his balcony, through watching and being watched.

Filmed during summer 2019, Jesus Is King brings Kanye West’s famed Sunday Service to life in the Roden Crater, visionary artist James Turrell’s never-before-seen installation in Arizona’s Painted Desert. This one-of-a-kind experience features songs arranged by West in the gospel tradition along with new music from his forthcoming album.

This poetic experimental documentary is a tribute to the multifaceted life of Brianna, Jorge Lozano's daughter, a collaborative reflection intertwining fiction film archives, acting, and photographs to evoke memories and breathe life into moments and events. Her singing serves as a connecting thread, offering parallel interpretations. The film explores events since 1978, employing a non-chronological and non-linear approach, providing a unique artistic perspective. Shot in Colombia, Spain, and Costa Rica, it culminates in Victoria, BC, where she was tragically murdered. However, it focuses on celebrating her life and her essence employing diverse formats, including super 8mm, VHS, Super VHS, 3/4", 4K HD, Drone 5K video, GoPro, and Instant 360.

Two robots embark on a quest to become human.

Twenty images of a camera running next to a chemical platform and capturing abstract light throught improvised gestures and asymmetrical motion

What are they? What do they seek? When all the lights go out, they will wander. And you will never see them.

In 1967, Beulah struck Reynosa. Family survives through images from memory circling the wreck. Rituals of celebration and violence like hurricane, shift between dancing, cyanotypes, blue fire and lost family archive. We have come to see the damage that was done and the treasures that prevail. Thus invent colors that burn the eyelid like 火藥.

Fifteen images of a camera running in a park and in obscurity searching the space of light through distorsion and the sensory of rapid motion.

A Stone Story

You are born — without warning — into a dystopia.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

Não é Possível Garantir que Todos os Produtos Funcionem

A documentary about the sea and memory. Its movement is its form. Its strength.

A train moves through winter as a superimposed image of the same route in spring gradually emerges. Both moments coexist within a single frame, revealing two seasons happening at once.