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Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.

This short film is part of Karpo Aćimović Godina's experimental and documentary work in 1970s Yugoslav cinema. It extends his interest in regional identities, minorities, and the visual traces left by different cultures on Yugoslav territory. The film offers a journey through examples of architecture, decor, and objects related to Islamic tradition in the former Yugoslavia, such as mosques, ornamental elements, and calligraphy. It explores how this art is embedded in the region's history and in the daily lives of the communities that produced it. It is an observational film, without a dramatic plot, functioning primarily as a "visual essay" on the material culture of Islam in a Balkan context. The tone is analytical and contemplative, closer to a cultural study or a poetic inventory.

Made in Japan, Last Room is both fiction and documentary. The occupants of the love-hotels and capsule-hotels tell their own intimate, dreamlike stories, interspersed with journeys through the archipelago's landscapes. Soon, these personal stories resonate with a collective history: that of Gunkanjima, the abandoned ghost island of Nagasaki, and then that of Japan as a whole.

People leave (and return) from a church after Sunday Mass more than 120 years ago. The creaking of time and the darkness behind the ancient ritual of praying for our existence dance eternally, like a river of souls. Liz Taylor's visualy noisy reinterpretation of the film "Congregation Leaving St. Mary's Pro-Cathedral, Dublin" (1901) by the Edwardian filmmaking duo James Kenyon and Sagar Mitchell.

Experimental short film showing a single 10-minute shot of the sky.

Sunlight in a winter forest.

“Beneath the Concrete, The Forest” is a short experimental documentary that takes us inside an ongoing struggle inside the city of Atlanta, GA between two sides to determine the future of Weelaunee, the biggest contiguous urban forest in the country.

A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.

Glittering illusions of vectorized providence struggle to guide the viewer toward a path of re-enchantment.

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilience, strength, and unique perspectives on womanhood through performance art.

Mona is a 22 year old trans girl from a small village in France. She puts needles attached to peacock feathers in her skin, under bright lights, late at night. She bleeds, half naked, in front of small crowds of people. Sometimes they faint whilst watching her. Why would she do this? How did she learn to do it? And why would someone want to watch?

This is a story about a man who believes that he has two “selves” - external and internal. That is, an organism is a certain conglomerate of cells, each of which is a separate individual. This hybrid creature has a certain common personal “I” that uses the entire organism, and is the organism itself, which has its own will. According to the character, one can communicate with him, which is what he is trying to do. He wants to reach him and comes up with different ways of communication: injecting substances under the skin or intravenously, tattooing texts on the body, swallowing objects. The answer would come in the form of a rash or other physical manifestation that had to be interpreted. As a result, communication is carried out and the second “I” agrees to die.

Life is what we don't want it to be.

A tactile exploration of the inherent duality of violence and sensuality in nature.

A psychological sci-fi drama about love, identity, and the unknown. After a mysterious encounter with an otherworldly light, Mia wakes up feeling unfamiliar in her own body and life. As she pieces together the events of the night before, she faces her partner, Haley, with a newfound sense of self—and a secret hidden behind glowing eyes. Is she still the same person, or has something else arrived in her place?

A slug climbs small mountains at the peak of Mount Greylock (3,489 ft).

People-watching across lower Manhattan.

In a future where humanity has surrendered its ability to dream in exchange for immortality, an outcast finds illusion, nightmarish visions, and beauty in an intoxicating world of his own making.