Der weiße Mantel

This film weaves across sound, image, time, rhythm and place and is made up of a number of layers both sound and visual layered on top of one another, talking to and informing each other. It is made using digital transfer versions of c90 tape compilations I made between 1992-1995, juxtaposed with moving image footage of me in 2018 and 2020 and a typeface font graphic ‘See Me’ that I designed in 2005. The c90 cassette on screen is the cassette compilation that I still have from 1994. The film also includes drawings and photographs and other artworks from my personal archive as an artist from the last 25 years. As I walk down the streets that were so important in shaping my life as a young gay man living in London, I revisit the gay bars and pubs that have been my safe spaces for the last twenty years and more, spaces that are now closed.

Shot in Quebec, Canada, The Subterranean Blackness of Roots is a 16mm film triptych which uses several processes specific to analog cinema (hand processing, optical printing, photochemical alteration). The film seeks to show the sensory experience of the invisible life of stones, plants and the nature that surrounds us. It’s a dive into the heart of matter, the essence of the vegetal world and the nourishing earth.

A short documentary about the press of GoldenEye.

Jeff Koons is a MOCA commissioned mini-documentary on the career of artist Jeff Koons, directed by Oscar Boyson.

Barcelona, Christmas 2019 with epilogue in Berlin. Silent. Kodak 500T

Two young women try to adapt to a new city: nostalgia, loneliness, friendship and family are mixed throughout the emotional process of both characters. A reflection on the sense of belonging and the experience of being a foreigner.

The start of a long-term observation of the Bronnmann family from Cologne, who have seven children - what are their concerns, plans, and dreams?

Commissioned by developer Harry Macklowe to promote properties at 432 Park Avenue in New York City, this short film tells the story of a ballet dancer who travels from her mansion estate to the city to move into the building where certain famous faces come up along the way.

This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.

Featuring new, previously unseen footage documenting the bizarre and unsettling things that happened to filmmakers David Farrier and Dylan Reeve as Tickled premiered at film festivals and theaters in 2016. Lawsuits, private investigators, disrupted screenings and surprise appearances are just part of what they encounter along the way. Amidst new threats, the duo begins to answer questions that remained once the credits rolled on Tickled, including whether the disturbing behavior they uncovered will ever come to an end.

Wedding rituals grounded on non-verbal social agreements represent the perception of society in general. Wedding dress is a symbolic part of these rituals. The process that a wedding dress has went through can be considered as an embodiment of the formation of women identity in society. Like most of the women, wedding dressmakers also dream of being a princess once they wear their wedding dress. On the other hand, dressmakers are certainly aware of the fact that they promote the already existing image of women in society because of their job. While they also recognise the truth is way different.

One Thousand and One Attempts to Be an Ocean reflects on the experience of not being able to see the world with depth perception. Made up of micro-events from "satisfying video" that swarm on the internet, the abstract narrative unfolds through an appropriation way by referring to trance and minimal music. It's about a desire for groundless waves, blended with today's inexorable entropy of our information societies.

Der Zauberstreifen

Mein Wunschland

Traum in Rot und Gold

Spain, 1960. French student Monique Roumette lives in Madrid on a scholarship. Thanks to a friend who works in the production company Uninci, she has the privilege of attending the shooting of Viridiana, a film directed by Luis Buñuel.

Robert Altman's first film was this 26-minute short, which has a football coach explaining how to play the sport. This is basically an educational short where the viewer learns about the various rules of the sport as the narrator explains them while we see reenactments.

In Natpwe, the feast of the spirits, co-directors Tiane Doan na Champassak and Jean Dubrel have produced an immersive, seemingly timeless document of an annual Burmese trance ritual that dates back to the eleventh century. Shot in Super 8 and 16mm in sooty black and white, the film conveys the astonishing sense of liberation of tens of thousands of bodies and minds — a mass expression of faith, but also a rapturous respite from societal intolerance.

Daimara y el Baile Zombie

The Dike Builders