Lost, Lost, Lost

Slowly Forgetting Your Faces

Melbourne filmmaker Brian McKenzie spent 5 years working on this engrossing study of a not-so-typical Brunswick household. It's a laconic, observational documentary similar to the director's I'll Be Home For Christmas (MFF '85), in which McKenzie plays a central part, camera in tow, as he documents the lifestyle of Graham (a youth in his 20s), his family and friends. After having spent so long with the family, McKenzie becomes part of the furniture - a situation which enables him to dig deep into the subject's lives.

A short documentary that follows Korean grandparents as they share their modern-day reckoning of their immigration story and grandparenthood.

This documentary follows 8 teens and pre-teens as they work their way toward the finals of the Scripps Howard national spelling bee championship in Washington D.C.

Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.

Documentary about sub-Saharan immigration in Spain and Argentina focusing especially on the Senegalese community

Filmmaker Christopher Quinn observes the ordeal of three Sudanese refugees -- Jon Bul Dau, Daniel Abul Pach and Panther Bior -- as they try to come to terms with the horrors they experienced in their homeland, while adjusting to their new lives in the United States.

I wasn’t told. I wasn’t told it would be so difficult to live together. To keep a family together. To maintain love and happiness. I wasn’t told, and if someone had told me I wouldn’t have listened. I chose to live with my camera in my hand, filming the trajectory of feelings, from the golden age to the lost paradise, from being born to being reborn.

Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.

Wednesday afternoon was deliberately chosen. There were a lot of customers in front of and in the brothers Özcan and Hasan Yildirim’s barbershop on 9 June 2004, when 700 three-inch carpenters’ nails turned into projectiles with a 250 metre range. 22 people were injured. The attack was infamous; the course of the investigations was equally scandalous: the victims were suspected. CCTV material was not analysed and Federal Minister of the Interior Otto Schily decisively ruled out a right wing background. It was only in 2001 that this crime was solved in the course of the revelations concerning the right wing extremist terrorist “National Socialist Underground” group. The trial continues until the present day.

This film recreates the true story of Tom Sukanen, an eccentric Finnish immigrant who homesteaded in Saskatchewan in the 1920s and 1930s. Sukanen spent ten years building and moving overland a huge iron ship that was to carry him back to his native Finland. The ship never reached water.

Fleeing religious persecution, resilient Jewish immigrants arrive in Toronto and begin building affordable, quality housing in a growing metropolis.

The idea for this film comes from the encounter with two African boys who live in Rome, and is based on their music. Tunisian Afif and Senegalese Aliou tell their different stories, talk about friendship, immigration, freedom and, above all, about the fundamental value of making music together.

A diminishing water supply is driving people from their land in a remote region of Nepal. The younger generation of the Gurung family adapts by commuting from their ancestral home, where subsistence depends on grazing goats and cows, to a village that has a commercial apple orchard, fed by irrigation. “We cannot give up cultivating our fields,” a elderly man explains. “The apple farm is not going to be able to feed us easily.” The older generation believes that water shortages stem from road building and bulldozing, upsetting the natural order, a young man explains. Both generations fly prayer flags, beseeching water.

Oscar, not quite a child anymore, scavenges for scrap metal for his father. He spends his life in improvised landfills among what remains of leftovers. Worlds apart, yet close-by, there is Stanley. He tidies the church in exchange for a monetised hospitality, picks fruits, herds sheep: anything that keep his foreign body busy. Oscar, the young Sicilian, and Stanley the Nigerian don’t seem to have much in common. Except for the feeling of being thrown into the world, to suffer the same refusal, the same overwhelming wave of choices imposed on them by others.

Evaporating Borders is a poetically photographed and rendered film on tolerance and search for identity. Told through 5 vignettes portraying the lives of migrants on the island of Cyprus, it passionately weaves themes of displacement and belonging.

With humor, insight, and compassion, this documentary shares the journey of two Italian brothers who have run a successful restaurant for over 40 years, the sacrifices they’ve made for their children, and what it means to immigrants when they fulfill the American Dream.

Lauren Southern investigates what is really happening at Europe’s borders. From interviews with human traffickers in Morocco to secret recordings of illegal NGO activity in Greece, Borderless will blow the European Border Crisis wide open.

A Different point from the eyss of Yuval Shamshins's life, in the modern days of the Covid-19. The movie is built upon the small moments of life, full of Metaphors and Images in order to built a cinemathic perspective.

Documentary exploring the effect of mass immigration on the dwindling white community of the East End, from the perspective of those who remain and those who chose to leave.