An Instance of ____

Losing the Light reflects the artist's bitter battle to stay in this world as a long-term survivor of AIDS who has lost his vision to CMV retinitis. An experimental self-portrait, the video evokes the dissolution and fragmentation of the artists body, representing the impact of blindness, long-term HIV infection, and the cumulative effects of decades of antiretroviral medication.

The horses in Denys Colomb Daunant’s dream poem are the white beasts of the marshlands of the Camargue in South West France. Daunant was haunted by these creatures. His obsession was first visualized when he wrote the autobiographical script for Albert Lamorisse’s award-winning 1953 film White Mane. In this short the beauty of the horses is captured with a variety of film techniques and by Jacques Lasry’s beautiful electronic score.

An homage to the influential practice and philosophy of artist Nasreen Mohamedi. The film incorporates Mohamedi’s personal notes and her unique singular vision, drawing upon the aesthetics of the bare line, and its metaphysical journey eliminating physical borders/barriers.

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.

New York's floral district, like Amsterdam's is a scene that is most vibrant at the crack of dawn when flowers are shipped in to wholesalers. Very convenient timing if you've spent all night at the disco! If you want it fresh, you have to be there early. Not only are the better florists there to get the freshest flowers, but also the latest, freshest, and hottest dish. The scenario of this video is inspired by the central core of the design world: innuendo, rumors and gossip. Hearsay based on the cruising practices of one of New York's top gay floral designers. A vignette in a pastoral country setting–full of sunflowers and wild flowers–shows what the honey bee is really attracted to. Two lusty youths get it on atop a bed of exotic varieties.

Seven actors are brought to an isolated house where they must stay in character for three days under constant surveillance.

A documentary portrait of Utopia, loosely framed by Plato’s invocation of the lost continent of Atlantis in 360 BC and its re-resurrection via a 1970s science fiction pulp novel.

This experimental short traces the lifespan of the graffiti and murals present at the occupation of NYC’s City Hall in June and July of 2020. The encampment formed to demand the abolishment of the NYPD and the reallocation of its resources to housing, education, and other social programs.

A human-like Creature, emerging from the ancient depths of the Norwegian forest, ventures towards suburbia. The local inhabitants react in different ways to its unannounced presence.

Pandemonium

Woman chasing projected images of typical screensavers such as idyllic meadows and mountainscapes. These images are embellished by design programs to be more attractive to appeal to our primal desire to be outside rather than in front of a computer or in ugly urban landscapes. Even if she were to ever catch up her object of desire, she will find it never existed in the first place, and she has been chasing the unattainable.

An essay in colour harmonics and visual overtones. Conceived and produced as part of the Images Film Festival's Minute Movies.

Jo; or The Act of Riding a Bike is Zefier's third film.

In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.

Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.

"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.

Gan Escapism is an experimental short film by Ukrainian-born artist Anna Malina. The film was crafted using a Generative Adversarial Network (GAN) to create a unique and captivating visual experience that blends abstract illustrations and evading sounds to create a surreal and thought-provoking piece of art.

“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.” The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown. Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.