EXT.

A documentary following the conscious evolution of electronic music culture and the spiritual movement that has awakened within.

A shy Greenwich Village book clerk is discovered by a fashion photographer and whisked off to Paris where she becomes a reluctant model.

ITU is a dark and surreal dance short film. Inspiration and new ideas fill the void of the mundane life and something new springs to life through the art of movement.

An ardent musical, emotional and sociological vindication of Mákina music, from its roots in the eclectic and avant-garde Valencian scene to its emergence in the 90's in Catalonia.

At Mr. Rad's Warehouse, the best hip-hop crews in Los Angeles compete for money and respect. But when a suburban crew crashes the party, stealing their dancers — and their moves — two warring friends have to pull together to represent the street.

Set in a derelict theater, “Heartache” deploys tensely expressive movement in a darkly playful take on the dynamics of seeing and being seen. At once kitschy and confrontational, the dancers move with deadpan gazes through tight trios with razor-sharp precision and evocative gestures. Glimpses of private moments and vivid bodily imagery highlight the tension between the individual and society.

Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.

A tale about the search for new sensorial experiences and territories. It’s a teaching and learning experience through body exploration and manipulation: two strangers dance with their passion, desire, gestures and contact.

The ultimate video yearmix of 2011. 61 tracks in the mix.

A former professional dancer volunteers to teach dance in the New York public school system and, while his background first clashes with his students' tastes, together they create a completely new style of dance. Based on the story of ballroom dancer, Pierre Dulane.

Midsummer celebration with dance and courtship in the idyllic Swedish landscape.

In the 80s, in an aerobic gym, Katarina, an ambitious teacher, obsessively pursues perfection. Between intense choreography and rivalry, she needs to stay on top at any cost. What is the limit of the search for perfection, and how far is one willing to go to achieve it?

Louis Jordan's Orchestra perform Jordan Jive. Setting is a canteen, with the orchestra and audience in US military uniform. The Swing Maniacs go through some extremely strenuous acrobatic dancing.

Join Anna and her friend Colby, the mouse, in an online adventure as they encounter the Mastodons: Musclehead, Tangler, Blazer and Crusher. They are fighting a fire that threatens two children and a nearby school!

The ballroom dancing the world recognizes today is competitive ballroom dance, sometimes known as dancesport. It is comprised of ten dances, which can all be danced in “closed ballroom” hold. The style danced in BURN THE FLOOR is called “international style” and has been danced in competition since 1920. International style ballroom dance consists of ten dances, split into five Latin American dances and five ballroom dances (standard). Each BURN THE FLOOR dancer has spent a lifetime training to compete against other dance couples. This show allows the dancers to demonstrate their love and passion for their art.

A guy who danced with what could be the girl of his dreams at a costume ball only has one hint at her identity: the Zune she left behind as she rushed home in order to make her curfew. And with a once-in-a-lifetime opportunity in front of him, he sets out to find his masked beauty.

A mesmerizing showcase of artistic excellence, where intricate choreography and cinematography tell a story of pure, unbridled joy and creativity. Its about honoring the past, recognizing the present and looking into the future.

Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.

As an ode to her grandfather, choreographer Daria Titova returns to the rural land he cherished in Sokur, Russia. Through movement and evocative visual language, she explores memory, family heritage, and a sense of belonging — inviting the audience to reconnect with their own roots.

As the waters of the river Seine overflow their banks and surround a Parisian café, composer Erik Satie nurtures bittersweet memories of his one-time lover Suzanne Valadon.