Medo de Sobrar, Medo de Sonhar
Testemunho
A minimalist three-person-crew film school exercise documenting the orange trade in Pafarrão, Portugal, a countryside town known for this fruit, with a focus on ethereal details
Trajetos e Trajetórias Invisíveis na Cidade
Seis Por Um
O Que Fica de Quem Vai
A short film about rupture — about someone who defies the system and reclaims her life. The narrative portrays the everyday oppression of late capitalism, exploring the emotional and physical exhaustion of Alana, who finds refuge and the courage to change in Carol, her girlfriend.
In a Brazil measured 6×1, Girassóis follows the daily life of Zé, an elderly Black man who is still forced to work. Portraying the harsh reality that burdens Brazilian workers, the story reflects on the challenges of labor—from the daily grind to its impact on family relationships and the fading hopes for a hostile future. Loosely based on true events.
Recaída
Westside Barbell is essentially what would happen if the Hell's Angels traded in their Harley Davidsons for squat racks and chalk. It is a collection of some of the strongest and scariest people to ever walk the earth. The atmosphere inside the cinder block walls has been described as a prison yard weight pile. Fights and cussing are part of the charm, as are tattoos and facial hair. The environment is brutal and wears quick on lifters with thin skin. Every day at Westside its dog eat dog. It's a proven recipe for world records (over 140 and counting), but is it worth the price of the pain? When the weights are big enough to kill, how far would you go for a number?
In 2004, political bloggers came of age. They propelled Howard Dean from fringe candidate to front-runner. They took on CBS anchor Dan Rather and won. As the 2006 mid-term elections approached, bloggers were preparing for battle again. This documentary examines how online democratic activism is shaping important elections by focusing on the decisive Connecticut senate race and Ned Lamont's challenge to incumbent Joe Lieberman.
Katie Puckrik explores the 1970s American music phenomenon of Yacht Rock, a halcyon period of Los Angeles studio craft that married R&B with themes of longing, aspiration and melancholy, before going on to explore how the genre adapted to the musical times of the 1980s.
A story of passion between Jean Cocteau, Pygmalion poet, novelist, designer, playwright and avant-garde film-maker and Jean Marais, a popular actor, "well-loved" chameleon and legend of French cinema. They shared a unique relationship which, from 1937 to 1963, combined the art of loving with the inordinate love of arts.
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Megacities is a documentary about the slums of five different metropolitan cities.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
A detailed chronicle of the famous 1969 tour of the United States by the British rock band The Rolling Stones, which culminated with the disastrous and tragic concert held on December 6 at the Altamont Speedway Free Festival, an event of historical significance, as it marked the end of an era: the generation of peace and love suddenly became the generation of disillusionment.
Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
In this wildly entertaining vision of one of the twentieth century’s greatest artists, Bob Dylan is surrounded by teen fans, gets into heated philosophical jousts with journalists, and kicks back with fellow musicians Joan Baez, Donovan, and Alan Price.