Registration of the theater show 'I Amhali' by Najib Amhali. Najib itself is central to this spectacular show full of music. He knows better than anyone that happiness is in the small things. He is happily married and just the father of a second son. But do these great milestones in his life also make him more mature? Not according to his wife, because she is sometimes stuck with three children! The band PlusSupportAct provides the musical accompaniment during this performance.
The perfect way to get acquainted with Philippe Geubels' infectious humor or to relive a wonderful evening of live stand-up comedy.
Diederik van Vleuten: Buiten Schot
Registration of the fourth theatre program by the Dutch comedian Pieter Derks.
Sanne Wallis de Vries: Kaka Passa
Stage registration of the eleventh show by the Flemish cabaret duo Kommil Foo. In 'Wolfijzers en Schietgeweren' Raf en Mich Walschaerts collect the best songs and stories from their old shows and turn it into a new show.
Registration of the sixth comedy special by the Dutch comedian Eric van Sauers.
Eric van Sauers: Smulpapen
Canapé Chucrut Cabaret 5º Edición
René van Meurs: Voor de Storm
More important than the Kastaars, sharper than Viktor Verhulst's jawline and louder than Fien Germijns. The First Avenger of media criticism finally comes back out of the ice to shout from behind his tub. It has been a scary world without Xander De Rycke. Flemish films are successful again, VRT's weatherman has retired and Niels Destadsbader has been replaced by someone who calls himself Meteor. Not to mention the channel that was hijacked by Gert and James, that singing competition in carnival costumes and Tom Waes complaining about history with our tax money on a potato patch. But not to worry, your best friend is back with the only year-end conference that matters.
The tour for "Zorg dat je erbij komt" was completely sold out. For three shows at the Meervaart, more than 150,000 people wanted tickets in just one weekend!
Hans Liberg: De Negende
Hans Liberg: Ick, Hans Liberg
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.
Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.
Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).
ROLAND REBER’S CABARET OF DEATH paints a multi-layered picture of existence and puts the taboo subject of death back in line into the circle of life. In various storylines a ruined relationship crosses paths with an old man begging for euthanasia, a live show featuring candidates who are mercilessly sacrificed to the audience, a dancer who cannot escape ageing despite her self-optimization and the one with the mask who craves to be famous at all costs. And between all this, a corpse driver rolls his “clients” through a long corridor and shares his very personal and unaffected thoughts about life and dea
Veldhuis & Kemper: Onder de douche
Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.