Always Nothing Much

A filmmaker journeys back to the significant places of his Kentucky upbringing to preserve the memories they still hold.

A woman goes through her day to day life while navigating faith and longing

Felipe Rey is over 40 years old and still lives with his mother, Nora. The strange bond between mother and son will be tested as soon as Felipe invites Lucy, a janitor from his work, over for dinner.

A boy experiences first love, friendships and injustices growing up in 1960s Taiwan.

A squatter spends his days with his dog in a decrepit, abandoned house until a discovery entices him out.

A woman gets lost in the woods.

The Spectacle is a short reflective documentary that explores the world of modern tourism. Filmed in various locations across Europe, the documentary unveils the transformation of serene landscapes into bustling tourist attractions. What remains truly seen and felt amidst the curated snapshots of our adventures?

A devastating meditation on love and intimacy, unfolding over 24 hours as three friends face the quiet wreckage of their choices.

Shell-shocked Barbara must face up to the loss of a dear companion after a tragic accident. Her best friend Klara and husband Torsten devise a plan to thaw Barbara's heart, after she reminisces about the incident, the funeral, and happier times. Will she agree to the suggestions of her nearest and dearest? Can grief turn into hope?

"After a freak accident leaves him deaf, a young man enters therapy, only to discover that losing his hearing has granted him a deeper understanding of his fractured family and inner turmoil. ግብረ ጉንዳን/Gbre gundan is a psychological drama that blurs the line between perception and reality, questioning whether true healing comes from what we hear or what we choose to ignore."

Jo; or The Act of Riding a Bike is Zefier's third film.

Haru, a bookstore clerk, talks to Yukiko pretending to ask for directions. Haru has detected deep sorrow on Yukiko's face. Meanwhile, Haru has been spending days following Tsuyoshi discretely and checking his expressions.

Sachi quits her job at a museum, starts working part-time at a café, and moves into an apartment recommended by a regular customer. Although she has started a new life, Sachi is still haunted by the memory of her partner whom she will never see again.

Picnic

Set in the sparsely populated lobster fishing villages of southern Nova Scotia, Plains is a cinema vérité approach to documenting the curious lives of Jon and Cat, a young couple who are developing politically left-leaning virtual reality video games. Against the busy backdrop of their art practice, we sit in on their quiet rural life, which, in its proximity to nature and the vast green and oceanic spaces that surround, echoes the romanticism of a simpler time. As the decaying world of physical labour and the mechanical industry faces up to an expanding digital empire, Jon gradually retreats into the alternative realities of his own design.

On a dark and rainy night, a historic and regal Taipei cinema sees its final film: 1967 martial arts feature "Dragon Inn".

A lonely widowed housewife does her daily chores and takes care of her apartment where she lives with her teenage son, and turns the occasional trick to make ends meet. Slowly, her ritualized daily routines begin to fall apart.

A group of young people grapple with identity, guilt and mourning after learning of a close friend's death.

A man grapples with his anxiety, attempting to calm him self in the shadow of his idols. As the ideal and the real collide.

Woman-god prepares for a much-needed vacation. Meanwhile, a nameless cast of characters go about their day, unbeknownst to them that a flick of a switch will cause them their lives, and possibly, the whole of humanity.