Un Chien Andalou is an European avant-garde surrealist film, a collaboration between director Luis Buñuel and Salvador Dali.
Blonde Betty Elms has only just arrived in Hollywood to become a movie star when she meets an enigmatic brunette with amnesia. Meanwhile, as the two set off to solve the second woman's identity, filmmaker Adam Kesher runs into ominous trouble while casting his latest project.
A successful mod photographer in London whose world is bounded by fashion, pop music, marijuana, and easy sex, feels his life is boring and despairing. But in the course of a single day he unknowingly captures a death on film.
By fabricating her biography, Luo Su, a young Chinese white-collar worker from a low-income family, hopes to wed Mr. Win, an alluring bachelor. But when her mother's shocking TV interview exposes her deceit, she loses everything and ends her own life. Left in limbo, she is mystically given one last opportunity to alter her fate within 72 hours - albeit within the body of a man.
In a leafy forest, a Galician sovereign who longs to attain wisdom meets a sorcerer, who tells him: “Go back to your country and study the Earth and the Stars in the sky; anywhere in the world reflects an image of it. You will ride on this arrow, which you must keep for a hundred years and a day. After this time, stick it in the widest valley of all those you possess, with the tip facing the sky. Then the Moon will come and, just as it exerts its action on the waters of the sea, it will act on the arrow, turning it into a holy mountain." - Legend about the Pico Sacro Inspired by Hokusai's views of Mount Fuji and Cézanne's paintings of Mont Sainte-Victoire, "Pico Sacro [The Holy Mountain]" aims to reveal the mystery and the magic that underlie reality.
A man (Lace Williamson) wakes up in the night beneath a lone streetlight. Soon, he realizes that this light is the only visible illumination in the endless darkness. One by one, strange and cryptic chalk markings reveal themselves on the pavement and prove to be his only hope for safety in the increasingly dangerous environment.
"Three tales of sex and violence presented by TORO LOCO, a blood thirsty, perverted killer cowboy seeking and killing people that starred in some exploitation movie. He is showing his victims the movies before torturing and killing them with a cow skull. The first story deals with two inspectors hunting a cannibal serial killer called "The Tiger". The second is about a 'not-so-devoted' husband interested in having a night of perverted sex with a prostitute in a motel room. The third is a tragical love story between a poor, little man oppressed by his wife and an handsome boy with self-destruction tendencies.
The wind carries an aspiring healer into a chaotic, virulent parallel world. Paralyzed by a familiar universe that is gradually becoming distorted, she discovers she has the power to stop time.
Das Ziegenkäsemachen aus der Sicht der Ziege
David Aames has it all: wealth, good looks and gorgeous women on his arm. But just as he begins falling for the warmhearted Sofia, his face is horribly disfigured in a car accident. That's just the beginning of his troubles as the lines between illusion and reality, between life and death, are blurred.
Des vertes et des pas mûres
Roma '23
Under the relentless sun, a killer stalks through the mountains, where the innocence of a young couple becomes prey. With no shadows to hide their fate, the hunt is a macabre game in broad daylight, where fear is not hidden in the darkness, but burns with the rawness of the unperturbed noon.
A political assassination leads to division and chaos.
One man's attempts to defeat the tortures of his own mindscape come to a head in the midst of a game of poker, when a mysterious figure interjects the flow of things and everything takes a turn for the worst. As the audience and the protagonist experience the same horrors it leads them to ask the question - who's bluffing? Written and directed by Santino Benedetto, DB was brought to life by him and his fellow filmmaker and life long friend Thomas Dylan Gracey.
The film tells the story of a woman reflecting on a painful part of her past as she writes. Although we do not see what she has written, we do see her broken memories.
A surrealist tale of guilt and deceit.
The most important event in the history of the Christian religion occurs beyond the physical plane, when God himself touches humankind for the first time. This event will bring light and shadow together in one place.
The last person on Earth revisits their memories as they wander a lonely world
A flickering diary of time, memory, and erosion, «Things Many Eyes Have Seen» unfolds over a month on an island. Hand-processed in salty seawater, its 16mm images dissolve and transform. The landscape flashes by in broken frames of light and shadow, as if the world itself was stuttering between memory and motion. A meditation on seeing and being seen, the film lingers like a fading dream, where observer and landscape blur into one.