I'm Not Racist, But...

Meet the big birds, a feathered family who have never flown a day in their lives! From ostriches to kiwis, these bizarre birds appear to be nature's greatest novelty act. How they came to be and how they continue to survive is a fascinating tale that has long captivated Sir David Attenborough. It is a story of dedicated dads, enormous eggs and a serious need for speed. And far from being the court jesters of the animal world, these flightless curiosities once nearly ruled the land.

In this epic story of humble heroes and Kiwi ingenuity, relive the glory and the magic of the America's Cup 1995, when Sir Peter Blake carved out New Zealand's identity as innovators and world class sailors.

A documentary about Takahanga Marae in Kaikōura, New Zealand. Rangi Solomon said he wanted to “build the future of our people on the bones of our past”.

Five Kiwis take on a paragliding adventure in Tanzania, with the ultimate aim to fly from the summit of Mt Kilimanjaro.

Tout, vous saurez tout sur le kiwi

The story of a Kiwi who spends his whole life working towards achieving his dream.

Documentary Hautoa Mā! The Rise of Māori Cinema reveals the remarkable impact Māori have made on New Zealand cinema.

This is the story of daredevil stuntman Randy Cambell and his quest to follow in his late father's footsteps and become New Zealand's greatest daredevil stuntman by performing the ultimate daredevil stunt: jumping across Cook Strait in a rocket car!

Best friends Mary-Ann (Foster) and Sandy (Thompson) are finally taking their dream expedition to New Zealand. They are accompanied by their teenage daughters Jaretha (Gillette) and Kerry (Nicoll). Issues of first night frights from the local wildlife and daughters that can't stand each other become insignificant when they come face to face with Kiwi poachers. No match for gun-toting guys, the four find themselves held prisoner and fearing for their lives.

A lonely man seeks solace in an art gallery, but instead meets the face of death- Hinenui Te Pō

In the film "Goudvink," we meet Yaël and Idris, two non-binary people of color in their twenties, who in their turbulent and social lives surprise and overwhelm each other with the words "I love you".

When 12 year old Ben sets out to win the local trolly derby in memory of his father, he learns what matters in life when he is forced to battle cheating opponents, the school loan sharks and a mother who has banned him from the race.

With the world set to end in two days, cousins Roo and Joo are unexpectedly reunited when Roo slips into a church to confess their sins, hoping to make peace before it's too late. Reminiscing on a lesson their koro taught them both growing up,“when the rapture happens you gotta go home”, for Roo, that means it's time to go home. But for Joo, home is a little bit more complicated.

A metaphor of the Flood in our times, The Flood is the rain of violence that washes over us. Noah´s Ark is the train that runs through Mexico toward the United States and migrants are the species attempting to save their lives. For the directors, cinema moves people not just by condemnation, but by confronting and fostering emotions which lead to new, constructive ideas. This documentary became a cinematographic diary for their first viewer, their three-year-old daughter, Zafirah.

Johan van der Keuken went against the grain in 1980: from Amsterdam (on April 30 with the coronation riots and squatting actions) via Paris, southern France and Italy to Egypt. He made his personal travelogue in three parts for VPRO television. Later, he fused the three parts into one long movie.

Punishment in Capitals is a live CD and DVD-release by the band Napalm Death. It was recorded at the London ULU on 12 April 2002 at an animal rights benefit gig.

With the use of montage sequences, voiced over with the observations of the children, van der Keuken was able to use artistic expression to portray the sightless children’s unique perspective of the world.

Documentary that portraits the social issues faced by the community of Chacahua in Oaxaca, through a group of kids who dream of surf.

Porto 2001 project, made in the prison of Paços de Ferreira. Nuno Cardoso, the play director, develops this work with the prisoners during the time period of one year. Documentation of the process: conversations with the prisoners in the context of the process of artistic creation and the theater project. Interviews and testimonials with various people who cross their experiences, their view of life and their life behind bars, with the development of the play.

Life and legacy of Agostinho da Silva. Traversing the biographical journey, the life and work of the Luso-Brazilian philosopher, this work has testimonies from himself and various personalities of Portugal and Brazil that allow us to unravel his personality and multifaceted thought.