On the east coast of New Zealand, the Whangara people believe their presence there dates back a thousand years or more to a single ancestor, Paikea, who escaped death when his canoe capsized by riding to shore on the back of a whale. From then on, Whangara chiefs, always the first-born, always male, have been considered Paikea's direct descendants. Pai, an 11-year-old girl in a patriarchal New Zealand tribe, believes she is destined to be the new chief. But her grandfather Koro is bound by tradition to pick a male leader. Pai loves Koro more than anyone in the world, but she must fight him and a thousand years of tradition to fulfill her destiny.
Aroha wants to share her creativity with her neighbours. Her imaginations come to life for everyone to enjoy.
A baby is washed up on a Pacific Island and is adopted by a childless woman. The tribal priest takes an instant dislike to the child, proclaiming him a demon. The child is deaf and mute and therefore excluded from hunting with the other young men. Out of loneliness, he befriends a white turtle. When a drought befalls the island, the priest blames the silent one. When the chief protects the boy, the priest plots the chiefs' downfall.
Timothy and his family is expecting a French-Canadian male exchange student, that turns out to be an attractive girl, to which Timothy proceeds to make a fool of himself, trying to impress. When Michelle becomes ill from drinking spiked punch at a party, Timothy notices a tattoo while helping her to bed. He foolishly tells a friend about the tattoo, who proceeds to tell the whole school, which does not go down well with Michelle.
Family drama set in New Zealand about Geoff Crome, a young boy (Fulford) who immerses himself in his own private fantasy world where he meets Firpo (Papps), a strange being who dreams of being an Olympic athlete. Together, the two begin a close friendship as Geoff attempts to help Firpo realise his dream. However, it is not long until the adult world begins to impinge on his fantasy.
The Haunting of Barney Palmer is a fantasy film for children about a young boy who is haunted by his great uncle. Young Barney fears that he has inherited the Scholar family curse; a suite of 80s-era effects ramp up the supernatural suspense. The film was a co-production between PBS (United States) and Wellington's Gibson Group, which resulted in Ned Beatty (Deliverance, Network) being cast. It was written by Margaret Mahy, based on her Carnegie Award-winning novel The Haunting, and an early fruitful collaboration between her and director Yvonne Mackay.
On Christmas Eve, a nameless little girl reads 'The Monster's Christmas' storybook to her teddy bear, as something sneaks around in the trees outside her window. She hears a noise in the other room, and thinking that it's Father Christmas, she goes to investigate. She finds one of the monsters, who has come seeking help to defeat an evil witch that has stolen all the monsters' voices.
A touching story about the relationship of an American pilot named Ray Walker with a boy and his family on a ranch in New Zealand. Bill, the grandfather of the family, knows that only Ray can teach flying to his grandson.
A bunch of friends are making a movie in an attempt to win the shortest film competition. But when people have to go to work, things get challenging. Can they finish the movie in time for the deadline?
Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.
Two years ago Guyon Espiner stopped drinking. Now, the award-winning journalist and podcast-maker has made a documentary about New Zealand's drinking culture and the alcohol industry.
Aftershock follows four groups of people in the minutes, hours and days after Wellington is struck by a magnitude 8.2 earthquake and subsequent tsunami. Buried office workers must pull together. Strangers, caught by the tsunami on a ruined motorway, put themselves in danger to save others. A mother must reunite her family. And, at the centre of the rescue operation, a controller is bunkered down at Wellington’s Emergency Management Office.
A mute Scottish woman arrives in colonial New Zealand for an arranged marriage. Her husband refuses to move her beloved piano, giving it to neighbor George Baines, who agrees to return the piano in exchange for lessons. As desire swirls around the duo, the wilderness consumes the European enclave.
When a Sumatran rat-monkey bites Lionel Cosgrove's mother, she's transformed into a zombie and begins killing (and transforming) the entire town while Lionel races to keep things under control.
In 1999, South African emigrant psychiatrist Colin Bouwer murdered his wife in what he thought was an undetectable manner. He was not counting on the skills and tenacity of New Zealand police and his colleagues in the medical profession.
A drama about a Maori family living in Auckland, New Zealand. Lee Tamahori tells the story of Beth Heke’s strong will to keep her family together during times of unemployment and abuse from her violent and alcoholic husband.
Discover the stunning locations of New Zealand with the cast and crew of The Hobbit Trilogy.
The true story of Jean Batten is of a daughter determined to live up to a powerful mother, desperate to leave a mark on the world – and prepared to go to the ends of the earth to do so. This is the story of JEAN.
Based on the autobiographical work of New Zealand writer Janet Frame, this production depicts the author at various stage of her life. Afflicted with mental and emotional issues, Frame grows up in an impoverished family and experiences numerous tragedies while still in her youth, including the deaths of two of her siblings. Portrayed as an adult by Kerry Fox, Frame finds acclaim for her writing while still in a mental institution, and her success helps her move on with her life.
It is New Zealand 1959. Teen swimmer Alex Archer has to battle set backs, intense rivalry and personal tragedy in her bid to win selection for the 1960 Olympic Games in Rome.