Uprising

Doaa el-Adl, the first woman to be awarded the esteemed Journalistic Distinction in Caricature, serves as a catalyst for transformation within the predominantly male-dominated realm of Egyptian political cartoonists. Challenging patriarchal norms, she routinely confronts censorship, harassment, and even threats to her life. In a remarkable fusion of documentary, cartoons, and animation, Egyptian director Nada Riyadh breathes life into el-Adl's most renowned works. This dynamic and fearless presentation delves into the issue of violence against women, stretching the boundaries of freedom of speech in a society often characterized by restrictions. Through her exceptional talent, el-Adl not only champions women's rights but also serves as an inspiration for societal change.

THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.

Egyptian archeologists dig into history, discovering tombs and artifacts over 4,000 years old as they search for a buried pyramid in this documentary.

Some think an in vitro fertilization contest sounds crazy, but countless Americans desperate to start a family believe this social media experiment is their only hope. Vegas Baby is a profile of patients of a Las Vegas fertility clinic. Each year, the clinic hosts a YouTube-based competition called “I Believe,” which gives one lucky couple a shot at an in vitro fertilization treatment they could not otherwise afford. Hundreds of couples apply, yet there can be only one winner.

Algérie, la vie toujours

Hundreds of frozen and starved people floating on boats in the middle of the Mediterranean Sea fleeing from the war... Familiar scenes that we are used to seeing in recent times. But the year is 1944, and the refugees are travelling from Europe to Africa. After Italian capitulation,and before the arrival of German army, 28 000 Dalmatian Croats left their home villages and towns to live for two years under the tents in the middle of Egyptian desert, in a kind of a communist model village that was formed to show the Allies how the new Yugoslavia will look like when the war ends. This is a story about them.

Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.

This James A. FitzPatrick's People on Parade series short takes the viewer to Alexandria, Egypt, with emphasis on the modern nature of the city.

A homeless man living in a encampment in Minneapolis tells his perspective on the ongoing crisis of homelessness.

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

A comic, biting and revelatory documentary following a small group of prankster activists as they gain worldwide notoriety for impersonating the World Trade Organization (WTO) on television and at business conferences around the world.

Italy, 1970. An increasing legion of harmless warriors begins a peaceful struggle for sexual freedom through pornography, shaking and shocking religious authorities and conservative political institutions. They are ironic, happy, crazy. They are dreamers, defenders of definitive communion between body and soul. But they were censored and humiliated. They were mistreated and arrested for demanding loud a new cultural renaissance.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

InRealLife takes us on a journey from the bedrooms of British teenagers to the world of Silicon Valley, to find out what exactly the internet is doing to our children.

The Umbrella Movement of 2014, also known as the Occupy Movement, paved the way for Hong Kong’s current upheavals, but unfolded in significantly different ways. This creative documentary focuses on the intellectual, political, and discursive underpinnings of the social and political actions of 2014, before fast-forwarding to 2019. A range of thoughtful and engaged intellectuals, students, scholars, activists, and artists including Benny Tai, Chan Kin-man, Ray Wong, and Agnes Chow (many of whom are facing imprisonment for their democratic activism) articulate a range of philosophies, viewpoints and emotions, set against Hong Kong’s spectacular urban background of skyscrapers, night lights, and street-occupying mass movements.

Eli follows Leyton Orient's tragic relegation from the football league and how the Football Authorities allowed owner Francesco Beccheti to bring the club to its demise.

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

In the slums of Cairo, youth dancing to electro chaabi, new music that blends folk song, electro beats and freestyles chanted in the style of rap. The idea is to merge the sounds and styles so chaotic. One slogan mangling! Victim of corruption and social segregation, youth in neighborhoods exorcise partying. Release of body and a speech repressed transgression religious taboos: more than just a musical phenomenon, Electro Chaabi is a healthy outlet for youth oppressed by the prohibitions imposed.

The love of Kim Jong Il, the former dictator of North Korea, for cinema and his adventures, including the kidnapping of a director.

In 1981, seven Libyan exiles formed the core opposition group to Colonel Muammar Gaddafi. Thirty years later, they are back to their country only to inherit the mess he left. The film is an intricate blend of rare first-hand accounts, propaganda archival material turned on its head, evocative cinematography and an untold history of a country.