Greenwich Village: Music That Defined a Generation

A documentary about a beloved South Bronx matriarch and former "First Lady" of the Savage Skulls gang struggling to remain visible in a rapidly gentrifying community she helped rebuild in the 1980s. With one foot firmly grounded in the outlaw life and the other as an activist and spiritual advisor, Lorine Padilla straddles the complexities of multiple worlds.

First Edition is a 1977 American short documentary film about the Baltimore Sun directed by Helen Whitney. It was nominated for an Academy Award for Best Documentary Short.

In this tense and immersive tour de force, audiences are taken directly into the line of fire between powerful, opposing Peruvian leaders who will stop at nothing to keep their respective goals intact. On the one side is President Alan Garcia, who, eager to enter the world stage, begins aggressively extracting oil, minerals, and gas from untouched indigenous Amazonian land. He is quickly met with fierce opposition from indigenous leader Alberto Pizango, whose impassioned speeches against Garcia’s destructive actions prove a powerful rallying cry to throngs of his supporters. When Garcia continues to ignore their pleas, a tense war of words erupts into deadly violence.

Renowned filmmakers D A Pennebaker and Chris Hegedus follow determined animal rights activist Steven Wise into the courtroom for an unprecedented battle that seeks to utilize the writ of habeas corpus to expand legal “personhood” to include certain animals. Wise’s unusual plaintiffs—chimpanzees Tommy and Kiko, once famed showbiz stars—are now living in filth, struggling to survive. Wise and his impassioned legal team take us into the field, revealing gripping evidence of such abuse and plunging us into the intricacies of their case as they probe preconceived notions of what it means to be a non-human animal.

Arguably the most influential creator, writer, and producer in the history of television, Norman Lear brought primetime into step with the times. Using comedy and indelible characters, his legendary 1970s shows such as All In the Family, Maude, Good Times, and The Jeffersons, boldly cracked open dialogue and shifted the national consciousness, injecting enlightened humanism into sociopolitical debates on race, class, creed, and feminism.

Ten years ago, horror came about in Buenos Aires. During a rock concert in a nightclub, 194 people died in what is known as the tragedy of Cromañón. Since then, survivors together with the victims' relatives and acquaintances began to go through a long and intricate journey looking for justice. But, what is justice? What does it mean to us?

An educational film about women's sexuality, genitalia and their functions during sexual interaction.

I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.

The remarkable story of how 13 amateur female golfers fought to form the LPGA in 1950. With the odds stacked against them, they made history.

A documentary about brain, his capacities and his poetical aspect using testimonials from researchers around the world.

From dreamy aerial opening shots, we are sent on an expedition through the storied land of our fifth most populous state, Illinois, often called a miniature version of America. Deborah Stratman’s experimental documentary explores how physical landscapes and human politics can each re-interpret historical events. Eleven parables relay histories of settlement, removal, technological breakthrough, violence, messianism, and resistance. Who gets to write history—physical monuments, official news accounts, or personal spoken-word memories?

The unfinished documentary about the making of Dennis Hopper's mostly unseen feature film The Last Movie (1971).

Filmed for over 10 years, this epic documentary presents the story of renowned Taiwanese choreographer Lin Lee-chen and her Legend Lin Dance Theatre. Extracting the essential details of Lin’s daily life, the film explores the origins of her dance, contemplates the poetic and ritualistic movements she creates, and delineates her lifetime pursuit of aesthetic concerns.

Maria Zmarz-Koczanowicz directed this insightful TV documentary (2005) tracing the Polish filmmaker's career. Former classmates reminisce about Kieslowski's happy beginnings at the Lodz film school and how his dissatisfaction with some of his early documentaries prompted the dramatic work and stylistic experimentation that led to his monumental series of films The Decalogue (1989). Wim Wenders, Agnieszka Holland, and Juliette Binoche are among the many admirers weighing in on his hard-driving work methods and preoccupation with the ephemeral. In Polish, French, and German with subtitles.

A fast-moving and comprehensive documentation of three Survival Research Laboratories performances 1989-1990. Includes "Illusions of Shameless Abundance ...", ArtSpace Computer-Controlled Installation, "A Carnival of Misplaced Devotion ...", plus details of the 1989 bomb hoax incident.

The minutiae of daily life on Edinburgh's Rose Street in the fifties is presented in this impressionistic documentary piece.

A powerful documentary about the lives of teens and young adults as seen through the gender lens. Approaching society's ideas and ideals of gender through clothes, sexuality, sports, dance, safety, consumerism and emotion, the film addresses the complexities of conceptions of masculinity and femininity for Generation Z.

Why do you have to do what everyone else does and why does everyone have to look the same? Ninnoc struggles when she is in a group. She doesn't just want to adapt to the others, but she's also afraid of being excluded. Can you deviate in a group? Or will you then end up alone?

Chantal Akerman meets with elderly Jewish women in Paris, all of them survivors of the Shoah, and listens to their family stories. Between interviews, Akerman's mother Natalia speaks of her own family. Made for a French miniseries on grandmothers.

It’s not uncommon for a film to have a moving love story at its core. Yet this particular set-up is unusual. The lovers here are Ingeborg Bachmann and Paul Celan, both important representatives of post-war German-language poetry. The story of the relationship between the Austrian and the Jew from Czernowitz is told through their nearly 20-year correspondence (1948–1967). Or, more precisely, by a young woman and a young man reading from their letters in a studio in Vienna’s venerable Funkhaus.