En route

Krazy is at his house reading a magazine. Ignatz comes in and goes inside a jar of jam. Krazy is aware of this, and tries to get the rodent out of the jar. After getting bitten in the paws, he decides to discard the container, along with Ignatz.

Bambi is nibbling the grass, unaware of the upcoming encounter with Godzilla. Who will win when they finally meet? Preserved by the Academy Film Archive in 2009.

And here is an early success as he puts the viewer in the mood of a little boy, playing with his toys, running them through the paces of his little circus.

In this silent Mutt and Jeff cartoon, Jeff puts some pep liquid instead of the usual syrup in the sodas that Mutt serves to the customers in the malt shop.

Adam and Eve are cast out of Eden. They discover that flowers can bring both joy and solace.

In this one, Max has run low on ink, so Ko-Ko finishes drawing himself and then heads over to the camera room, where he creates his own characters, a mechanical dancing Dresden doll with whom he falls in love and a couple of automaton musicians. He gets rid of the musicians, but, alas, the projectionist gets oil onto Ko-Ko's soon-to-be bride, melting her.

A monkey comes home and uses a magic wand to make himself dinner. No sooner as he falls asleep, a hungry burglar enters his house. This short film was made by Segundo de Chomón in 1923 in his private studio with the help of his wife and son, outside of any studio structure, and has never had a regular distribution.

The film begins with an obese woman going to the shoe store and insisting she's a size 3 1/2--though she's obviously much larger. Then, out of the blue, a cat and a stick figure appear and make fun of the woman--making fat jokes and the like.

A cut-out animation depicting the Twelve Labours of Hercules.

The various parts of Faust are played by puppets.

The opening scene is in a tailor's shop, showing the four assistants more or less in love with their employer's daughter. After some time, the tailor says he will give his daughter to the one who shows himself to be the cleverest. Some very amusing incidents follow. The various feats accomplished during the contest are clever examples of trick photography. (Moving Picture World)

A short animated film by Tadanaro Okamoto.

Max has a toothache, and it's up to The Clown and a bespectacled rabbit to pull out the aching tooth.

Stop-motion film from Émile Cohl has a clown walk out in front of a group of people and do various tricks including standing on his head, riding a horse and falling face first off the horse.

Several unique specimens of highly ornamented porcelain are shown in series. In each case the various pieces of ware are in reality formed of living people. After a short time has been allowed for admiration of each article, it disintegrates into the individual models, who pose in various figures and dances. In the following pictures are seen a powder box, a clock, candle sticks, a loving cup and a vase, all of wonderfully ornate design, beautifully colored. (Moving Picture World)

A friend of KoKo's animator draws a haunted house, and KoKo and his dog Fitz go inside. There, they encounter frightening hallways where every door leads to a new spook.

Follow a day of the life of Big Buck Bunny when he meets three bullying rodents: Frank, Rinky, and Gamera. The rodents amuse themselves by harassing helpless creatures by throwing fruits, nuts and rocks at them. After the deaths of two of Bunny's favorite butterflies, and an offensive attack on Bunny himself, Bunny sets aside his gentle nature and orchestrates a complex plan for revenge.

A runaway train speeds down the track.

In Happy-Go-Luckies a pair of ukulele-strumming railroad hoboes fake their way into a dog show and make off with the prize loot. “Two heads are better than one” is the moral. To modern eyes, our trickster duo may look like two dogs—in the show they pretend to be one long dog—but audiences of the ’20s would have recognized a dog-and-cat team. The black body, white face, and sharp ears would have been most familiar from the greatest jazz-era trickster cat, Felix. Dogs and cats—much easier to animate than humans—were everywhere in silent cartoons. Terry, like most early film animators, had begun as a newspaper cartoonist, and his first strip, working with his brother as a teenager for the San Francisco Call, was about the adventures of a dog named Alonzo.

A stop-motion film from Émile Cohl with tin soldiers, children's drawings and cannibals.