Le silence entre les notes

Faced with an assignment to film something personal, Cem begins a quiet search for what that really means. A casual conversation with a close friend leads him to turn the camera toward the people who already shape his life. Through moments with his grandmother, spontaneous talks about family, and reflections on his dream of becoming a filmmaker, MozikMoro slowly transforms into a portrait of connection and self discovery. Between the ordinary and the intimate, Cem captures a world that is both deeply personal and universally human.

A sock puppet explores a family history told from the perspective of a mother and father.

This video, The Road to Mass Incarceration, by Greenhouse Media summarizes criminal justice policy decisions dating back to the 1960s. Although the effects often took decades to manifest, each of these policy shifts increased the rate of incarceration in the U.S. The video ends with many of the architects of these changes, Democrats and Republicans alike, admitting the failure of these policies and suggesting that it is time for real change.

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)

What happens when your child comes out to you? In this feature documentary, parents of lesbian, gay, bisexual and trans-gender individuals in Turkey intimately share their experiences with the viewer, as they redefine what it means to be parents in this conservative society.

Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.

From its beginning during the Reagan years through current times, the War on Drugs has left many victims stranded in the prison system. PRISONERS OF THE WAR ON DRUGS reveals life behind bars in the nation’s prisons. Each prisoner has his or her own story, but for most, the story is predictably similar; they have been criminalized for drugs or drug related offenses, locked up with easy access to substances, and given little opportunity for rehabilitation. This film provides an inside look at the prison system, its prisoners and a war on drugs we do not seem to be winning.

Insein Rhythm portrays the sights, sounds and rhythms of Yangon’s Insein train station which is also a stone’s throw away from the country’s infamous Insein prison.

Do humans have the right to judge and kill other humans? This program includes a history of capital punishment around the world through documentary footage and commentary. The electric chair, firing squad, hanging, poison gas, beating to death, slow execution, crotch-splitting, iron maiden, guillotine, execution by running, and beheading... It features a military execution in a South American country, obtained from a former prison officer. It also includes footage of the reality of life in Japanese prisons, death row inmates facing death, the parents of death row inmates, the families of their victims, and the gallows.

As the months pass through her, Mai gives us a glimpse into old age that explores between being abandoned and being belonged, passing the time and living the time.

My mother has died. Her name was Maria. Her children, we, Raúl and Santiago, discover among the objects left by our mother hundreds of photographs from our maternal grandfather, from REGINA -our great-aunt-, from our mother, from our father... And through those photographs, and with the help from an old camera -my grandfather's inheritance-, I, -along several trips to the places where those photographs were taken-, seek to recover and not lose my memory... that of my family. In the end, we will have to think on our memory and on what we have preserved and lost.

An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.

“Our memories are marked by smells. Bound together by their olfactory sensitivity, a daughter leads her father to question his family heritage: together they go through their double mourning, that of a grandmother and a childhood in Algeria. How do you face up to the fear of vanishing ghosts?”

Quem trocou as memórias de lugar

El abogado

Few amateur films with sound were produced in the 1930s and fewer remain extant. A charming artifact that demonstrates the expressive possibilities and technical limitations of amateur talkies, "The Spider and the Fly" includes a backyard Labor Day gathering, a trip to the Riverview Amusement Park, and a homemade Halloween parade of witches and ghouls.

Behind the scenes at one of the most unique and controversial prisons in the UK, home to some of Britain's worst female criminals

Before World War II the 3 sisters Mia, Uschi, and Martha were born in the former German city of Wrocław, which became Polish in 1945. They have been shaped by poverty, National Socialism, war, and escape, but also by peace, reconstruction, and an affluent society of Germany. The detailed stories they tell us in front of the camera, 75 years after World War II has ended, are as individual as the 3 sisters themselves.

An Austrian director followed five successful African music and dance artists with his camera and followed their lives for a year. The artists, from villages in Ghana, Gambia and Congo, were the subjects of Africa! Africa! touring across Europe, but they have unbreakable roots to their homeland and their families. Schmiderer lovingly portrays his heroes, who tell their stories about themselves, their art and what it means to them to be African with captivating honesty. The interviews are interwoven with dance scenes and colourful vignettes set to authentic music.