Based on characters from Shakespeare's play: When Juliet's father refuses to let Romeo see her, Romeo resorts to extreme measures.
A young Czech couple are terrorized by their funny family.
In this drama, a 50-year-old married man (played by John Halliday) goes with his wife (Belle Bennett) and son (Junior Durkin) to a nightclub in a fancy hotel in Detroit. He meets a gold-digger (Dorothy Burgess) there, singing the theme song of the picture, and eventually ends up going out with her on a subsequent occasion and falls in love with her. His wife finally finds out and this leads to her leaving him and getting a divorce in Paris. He is married to the gold-digger but finds life with her and her "jazz friends" to be too much for him. He begins to long for his old wife when he finds her in a nightclub with another man and becomes jealous.
Unlike any other opera, the so-called Beggar's Opera is not just one composition, but a lineage of adapted compositions, beginning with the original hugely successful 1728 political satire written by Englishman John Gay. Composers and writers have penned variations on it ever since. The most famous of these was A Threepenny Opera by Bertholt Brecht and Kurt Weill. Some things these compositions share in common is their setting among the poor and criminal classes, and the roguish character Macheath. This production is based on an adaptation of Gay's original by Vaclav Havel the freedom-fighter, writer and philosopher who became the first (and only) president of the united post-communist country of Czechoslovakia, and it retains many traces of its theatrical origins. Film reviewers were not too tolerant of what they called "slavish adherence" to the noted Czech writer's stage production, but theater, philosophy and history buffs may feel otherwise.
Ja že mám strach
Annie is a young, happy foster kid who's also tough enough to make her way on the streets of New York in 2014. Originally left by her parents as a baby with the promise that they'd be back for her someday, it's been a hard knock life ever since with her mean foster mom Miss Hannigan. But everything's about to change when the hard-nosed tycoon and New York mayoral candidate Will Stacks—advised by his brilliant VP and his shrewd and scheming campaign advisor—makes a thinly-veiled campaign move and takes her in. Stacks believes he's her guardian angel, but Annie's self-assured nature and bright, sun-will-come-out-tomorrow outlook on life just might mean it's the other way around.
A university lectop finds himself embroiled in a nasty blackmail case. Powerful businessman Busoni is preparing a stab at the grain market. This Protar scam should enrich him, but an article by a university professor changes his plans.
The wild and woolly early days of New York -- when it was still known as New Amsterdam -- provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck, a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven, whose sister Ulda happens to be dating his best friend, Ten Pin. After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.
A fortune teller predicts that Dr. Přelouč will marry the third poor girl he meets. Míla, the daughter of factory owner Janota, likes the doctor and, with the help of his housekeeper Amálka, sneaks into his home disguised as a poor shoelace saleswoman. She first prepares for her role by exploring the outskirts, where she meets Vendelín Pleticha, who becomes her guide to the local pubs and her teacher of the vernacular. Dr. Přelouč is enthusiastic about the poor, uneducated girl and tries to teach her the basics of social behavior and standard language. All this until he discovers that Míla has deceived him and that Pleticha is not her father, as she had claimed...
Based on a play by Phoebe and Henry Ephron, "3 Is a Family" is a 1940s farce. Charlie Ruggles plays a hubby whose bungled business schemes force his wife to enter the workplace. The couple's daughter shows up with her twin babies in tow. Son Arthur Lake arrives with his pregnant wife. And overbearing maiden aunt Helen Broderick also decides to move in. Because his wife is away at work, poor old Charlie Ruggles is not only housekeeper, but nursemaid and servant as well.
The bad economic situation causes the owner of a fish shop, Kateřina Udadná, to declare bankruptcy. The woman is devastated because she has worked hard all her life. She unexpectedly receives a letter from America from a certain Jonn Sam, who informs her that he is coming to Europe, where he intends to settle down. He brings her news about the inheritance that Mrs. Kateřina is to receive from his deceased uncle.
Rohovín Čtverrohý
Hiram Draper is an all-American self-made man with a profound distaste for everything British. Yet he must travel to London with his family. When Junior falls in love with an aristocratic girl, whose father despises Americans with equal intensity, fireworks are just about to start.
A young poet and dreamer, poor as a church mouse, discovers that he is to inherit a vast fortune from his very wealthy, dying uncle. However, there is one catch to the inheritance - the property can only be obtained on the condition that the young man marries a virgin on the day of his uncle's funeral.
The cheerful farce tells the story of the charming wife of an Andalusian shoemaker, a charming beauty who attracts the eyes of a crowd of cavaliers. The beautiful woman is more than thirty years younger than her husband, but she is quarrelsome, argumentative and, above all, dissatisfied. Despite this, she remains faithful to her good-natured husband, many years older. However, he mainly desires peace, and, carried away by gossip, one day leaves his wife. He returns as a principal with a puppet theater to find that his wife has remained faithful to him, both spouses are convinced that they were wrong and return to each other...
Peter Nichols adapted his own hit play to the screen, based on his experiences in hospitals. A riotous black comedy that's as timely today as ever, it contrasts the appalling conditions in a overcrowded London hospital with a soap opera playing on the televisions there. In an ingenious touch, the same actors appear in the "real" story as well as the "TV" one, thus blurring the distinctions even further. Jack Gould directs such outstanding British actors as Lynn Redgrave, Colin Blakely, Eleanor Bron, Jim Dale, Donald Sinden, Mervyn Johns, and, in only his second film, Bob Hoskins. The renowned Carl Davis composed the score.
A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.
Schovávaná na schodech
Newly-married Gary Ainsworth once gave his former sweetheart Mabel a sexy negligee with his initials embroidered in the lacework. It is Gary's unenviable task to retrieve the incriminating undergarment from Mabel's room before his wife Geraldine gets wise.
Kenny Williams, a lieutenant on the homicide squad, is engaged to Maxine Carroll, the Mayor's secretary. Or isn't he rather married with his job? For each time he has a date with his longtime fiancée, he is prevented from keeping it by his devotion to duty. Maxine, in desperation, decides to take action and bring Kenny to the altar. Who will win, Maxine's curves or the glorious fight against crime?