Las Muralistas features women muralists whose works cover the walls of San Francisco’s Mission District. The muralism movement that emerged in the 1970s in the Mission District marked the beginning of a tradition of activism, expression, and community building through public art.
Paul Hugo ten Hoopen, the 98-year-old Amsterdam painter, delves into his childhood, education, and past artworks, while exploring his philosophy on the creation of art itself. Paul’s story brings out the perspective of a professional in his field. He urges new artists to find their own voice – their own colours – to be as original as possible.
A documentary about the life and works of the artist M. C. Escher. Maurits Cornelis Escher (1898-1972) usually referred to as M. C. Escher, was a Dutch graphic artist. He is known for his often mathematically inspired woodcuts, lithographs, and mezzotints. These feature impossible constructions, explorations of infinity, architecture, and tessellations.
In the fall of 1987, Philippe Haas accompanied the sculptor Richard Long to the Algerian Sahara and filmed him tracing with his feet, or constructing with desert stones, simple geometric figures (straight lines, circles, spirals). In counterpoint to the images, Richard Long explains his approach. Since 1967, Richard Long (1945, Bristol), who belongs to the land art movement, has traveled the world on foot and installed, in places often inaccessible to the public, stones, sticks and driftwood found in situ. His ephemeral works are reproduced through photography. He thus made walking an art, and land art an aspiration of modern man for solitude in nature.
Contemporary artist Koki Tanaka sets up a booth at a Los Angeles flea market to sell palm fronds. "I tried to bring something very extreme into the flea-market context. I picked the palm fronds because they are the most useless things in California – they’re what we have to sweep away after a windy day. It was an experiment in registering people’s reaction to a fundamental question about the value of objects. And I was referencing two historical pieces: David Hammons’s Bliz-aard Ball Sale [1983], where he sold snowballs during winter in New York; and a Japanese manga called Munou no Hito [A Worthless Person, 1985], in which the protagonist sells stones by the riverside – stones being sold alongside stones. So both shared quite similar ideas." - Koki Tanaka
Award-winning director Yoav Shamir (Defamation, Checkpoint) sets out on an entertaining and insightful international quest, exploring the notion of heroism through a multi-faceted lens. From ordinary heroes to freedom fighters, primates to humans, behavioral scientists to geneticists, even Ayn Rand to Raelians, Shamir leaves no stone unturned, and along the way unveils the fundamental truths of human nature.
The Faraway Nearby follows the tragic life of pioneer physicist Joseph Weber, whose pursuit of gravitational waves takes him on a dizzying journey from the height of acclaim to the depths of despair and disdain when he breaks the cardinal rule of science and clings to his ideas though his results can't be duplicated. Physicists, artists, and other creatives explore the emotional side of discovery and question whether the risk is worth the journey.
To celebrate the 100th anniversary of the birth of the surreal art movement, comedian Jim Moir (a.k.a. Vic Reeves) presents this documentary exploring the history of Dadism and the lasting influence it has had on himself and others.
Alastair Sooke champions pop art as one of the most important art forms of the twentieth century, peeling back pop's frothy, ironic surface to reveal an art style full of subversive wit and radical ideas. In charting its story, Alastair brings a fresh eye to the work of pop art superstars Andy Warhol and Roy Lichtenstein and tracks down pop's pioneers, from American artists like James Rosenquist, Claes Oldenburg and Ed Ruscha to British godfathers Peter Blake and Allen Jones. Alastair also explores how pop's fascination with celebrity, advertising and the mass media was part of a global art movement, and he travels to China to discover how a new generation of artists are reinventing pop art's satirical, political edge for the 21st century.
A theoretical exercise can stem from a physical one: using the camera as if it was the vibrating device placed on the olive trees for the harvest of its fruit, the final result is a series of original and intriguing images. The camera shakes, gets in and out of focus, and we don’t exactly know what is happening. At first this is a strange disorientation, but then you get used to it through the cyclical mechanical noise that joins the images. The words of a peaceful female voice allows you to frame the film: a visual exercise after all can also be free.
A film-performance that features all film footage shot by the author during 2024-2025 and is played at variable frame rates, from standard to minimal frames per second. One to three 8mm projectors and one 16mm projector can be used for the demonstration, so the runtime is variable. Trees and leaves, clouds and curtains, snow in the yard and water, hands and eyes, shadows and glare of light, days spent alone and meetings with friends. Light and darkness are the two poles between which this diary is flows, pulsates and shimmers. Raw diary of visual impressions captured with filmmaker's camera.
After Dan Brown's publishing phenomenon The Da Vinci Code was cleared of plagiarism charges, this documentary explores the climate which has permitted a fictional story to make such an effective challenge to conventional history that it has forced a counter-attack from the Church, the art world and academics. Has Brown cracked the most difficult code of all our 21st-century cultural DNA?
British artist, academic, musician and activist Bob and Roberta Smith has been waging slightly odd political protests for years, in this documentary he investigates the age of activism and discovers what people are protesting about.
Cleto Rojas, a peasant painter in Venezuela, discusses his artwork. From movies and Roman mythology to his own dreams and scenes of rural life, Rojas takes inspiration from all sources and transforms the world around him into fantastic visions. He teaches village children his technique of using house-paint on canvas, as his wife goes about her own housework, singing slowly. The painter is bemused by the attention of anthropologists and art critics, and he talks about the pitfalls of attention. He remembers traveling to Caracas as a young man to meet famous painters and being disappointed in them. His ambitions are more focused on the content of his work - Rojas wishes he could envision and paint one of Venezuela's heroes, Simon Boilvar, as he really was, as no accurate representations exist now. Without looking for fame, he continues painting all kinds of images as he sees them.
Art documentary
A documentary film directed by seven famous directors, and narrated by several famous Hollywood actors. The film attempts to give the general filmgoing public a taste of art history and art appreciation.
The Piccirilli family settled in New York City and started the largest and most prolific marble carving studio in America. For nearly 50 years, Piccirilli sculptors helped shape the architectural landscapes of Washington and New York through hundreds of monuments, memorials, and artworks, many of which are preserved in museums and private collections.
This film was made out of the capture of a live animation performance presented in Rome in January 2005 by Pierre Hébert and the musician Bob Ostertag. It is based on live action shooting done that same afternoon on the Campo dei Fiori where the philosopher Giordano Bruno was burned by the Inquisition in 1600. A commemorative statue was erected in the 19th century, that somberly dominate the market held everyday on the piazza. The film is about the resurgence of the past in this place where normal daily activities go on imperturbably. The capture of the performance was reworked, shortened and complemented with more studio performances.
In 2010, the iconic Tote Hotel – last bastion of Melbourne’s vibrant music counterculture – was forced to close by unfair laws. Filmed over 7 years, “Persecution Blues” depicts the struggle of more than 20,000 fans – and the bands who inspire them – to preserve their history and protect their future, and puts the audience on the front line of an epic-scale culture war.
‘de waanzin van het detail’ paints a portrait of the contemporary painter sam dillemans. To dillemans, who lives in borgerhout, van gogh, picasso, rubens or goya are not painters of yesterday but of today. They inspire him on a daily basis and at the same time their crushing genius also depresses him. In addition to being a very talented artist sam dillemans is so a gifted storyteller. While working on a self-portrait in his studio, he talks about his life and his work, how it relates to cultural history, the sacrifices painting demands and how people can learn to interpret paintings.