Fliegen heißt, den Himmel suchen

Migrating is seldom an easy solution. It is rather a journey, that begins with a journey. After more than eight years of campaigning, the immigrant cleaners outsourced at the School of Oriental and African Studies (SOAS) in London continue to demand being brought in-house. Limpiadores charts the history of their and others’ campaigns – from winning the London Living Wage to the deportation of nine colleagues, and the day-to-day invisible labour of cleaners on our campus.

The Apple Pushers, narrated by Edward Norton, follows the inspiring stories of five immigrant pushcart vendors who are rolling fresh fruits and vegetables into New York City's food deserts.

si me pierdo en un día nublado

Here, For a While

The film is about the band Stockholms Negrer, but also about what formed their music, about being Swedish but still being viewed as an outsider.

A short film made by three students who are trying to escape the reality.

A documentary that measures the cost of providing amnesty to millions of illegal aliens.

This film will tell the story of a tour of France undertaken by two children of "controlled origin"—as Mouss and Hakim wryly put it. For us, the reference to the century-old schoolbook Le Tour de la France par deux enfants by Augustine Fouillée is far more than a mere nod; published in the wake of the Franco-Prussian War of 1870, this reader was a fiercely patriotic manual designed to shape the education and morals of young French children. Written under the pseudonym "G. Bruno," the book recounted the journey of two children, André and Julien Volden, who—following the Prussian annexation of Alsace-Lorraine and the death of their father—set out to find their uncle across France’s beautiful provinces. The book was steeped in nationalism and a martial spirit, instilling the values ​​of the Third Republic—equality and citizenship—with a heavy hand, ensuring that no one dared to stand out from the crowd.

"In Algeria, I fought to ensure that girls—like me—would not be forced to wear the veil. In France, I began defending women's right to wear it, should they choose to do so. Does that surprise you? To me, it is the same fight. By revisiting the stereotypes that have clung to Arab women since the colonial era, Madame la France, ma mère et moi examines the way French people view women of Maghrebi origin. This film—for which I retraced the steps of my mother and aunt in Algeria—will, I hope, help people understand my anger, an anger shared by many Arabs in France." (Samia Chala)

This film focuses on the basics of adapting to life in England.

Charlie is an awkward teenage boy who can't get over his ex-girlfriend. After his attempt to win her back goes horribly wrong, he and his bumbling friends (Ben and Ricky) head to the streets to try and learn how to find love. As their fourth friend films them, the boys hear a variety of perspectives on what love is, and attempt improve their abilities to make women swoon.

A short film / documentary that depicts the daily grind of first-generation immigrants in Australia.

MEUTHEN'S PARTY unmasks the rise of the provincial politician Dr. Jörg Meuthen who doesn't shy away from spreading racist sentiments with a smile on his face.

This Christmas, step into the magical world of The Nutcracker. For the first time in many years, the Royal Ballet has given full access behind the scenes for a landmark 90-minute documentary as they prepare for this season's yuletide production.

Les Chats de Constantinople

As the first all-female band to play their instruments, write their songs and have a No. 1 album, The Go-Go’s made history. Underpinned by candid testimonies, this film chronicles the meteoric rise to fame of a band born in the LA punk scene who became a pop phenomenon.

Over the serene and verdant landscape of Northern California, a man with an everlasting childlike spirit lived his last years in a cabin. A story of friendship and loneliness, George Carl Wenzlaff was a Navy veteran and postal service worker with unique artistic talents and an amazing past.

A narrator embarks on a retrospective journey into the final months of school with their best friends. Over five chapters and an epilogue, they reflect on friendship, yearning, and the fears of losing contact with these individuals who are so significant to them. They were 17, more or less.

Under the cover of night, skaters claim back the streets.

An intimate look inside the immigrant community in Portland, Maine, as told by Nyamuon Nguany Machar who arrived as refugee in 1995 and David Zwalita Mota who came as an asylum seeker in 2019.