Du bidonville aux HLM

Nanterre, L' Après-transit

NANTERRE, une mémoire en miroire

JUSTICE POUR LE PETIT BARD

Les Quartiers ne lâchent

Une mémoire vivante : Un patrimoine commun 1973-2023

Une vie en transit, ou l'illusion du provisoire

Me sem s-ar tu

Enfants d’octobre

An investigation in the city prompted by the assault of a young person by a bus driver. All over the street, the collective goes out to meet people and question the processes of violence in their neighborhood.

Week-end à Nanterre

In 1955, a year after the birth of the National Liberation Front (FLN), Mahmoud was expelled from Algeria by the colonial authorities who feared his revolutionary speeches. At the age of 27, he arrived in the Algerian slum of Nanterre. Roughly questioned by FLN activists, in disagreement with the Algerian Nationalist Movement (MNA) who wanted to recognize theirs, he was then accepted as the local hairdresser and shoemaker. Subsequently, he became a driver during anti-MNA expeditions. Accepting increasingly dangerous missions, he is imprisoned by the French police and once again undergoes interrogations and special treatment by the police which will definitively undermine his sanity. One day, he no longer recognized his companions, and when joy broke out among the FLN militants, at the announcement of the signing of the Evian Accords, Mahmoud remained alone, frozen in an attitude of refusal, walled in his madness. Algeria has just won its independence.

Ahmed, an Algerian laborer and young father, leaves his country and arrives in France, hoping to find a job through Salah, a friend who has been living in the Paris suburbs for several years. He is disappointed when he arrives in Nanterre, where Salah lives in a shantytown. Without any support, Ahmed has to make the daily rounds of the employment offices, like so many other immigrants who, like him, have been lulled into complacency.

The director delves into the fragments of his own memory, blending images, words, and silences in a film essay that explores identity, memory, and the impossibility of coherent self-narration. A broken self-portrait, reconstructed from the image.

Misidentified

Time passes, slips away, dissolves. But what if we could hold it for a moment? "Capturing Memories" is a dive into the essence of the inconsistent, an invitation to reflect on the importance of preserving moments before they are lost in oblivion. Through visual fragments, the documentary reveals how small scenes of everyday life carry echoes of the past and seeds of the future. In a world where everything passes, what really remains? This film is a tribute to the art of immortalizing the moment, to the beauty of seeing beyond the present and to the need to give meaning to what may one day become a memory.

In a virtual world inspired by the codes of gay dating apps, Homunculus follows the wanderings of a man in search of other men. Over the course of his travels, he will come to realise that people see him as an “Arab”: an ambiguous, virile and powerful entity both celebrated by white gay males and hated by the French police forces.

It was a different time! The female contestants on an Irish TV show with an iconic gentleman host look back on a beige-coloured chapter in TV history. More than entertaining kitsch, and with some delightfully quick-witted ladies in the winning role.

In Japan, thousands of people disappear voluntarily every year. And there are companies ready to help those who want to disappear without a trace and start a new life somewhere else. Meet some of them in a film that soberly examines a modern phenomenon.

A powerful and poignant film in which families and friends of those who have died fighting in Afghanistan and Iraq talk openly about their loved ones and their grief. Epic in scale and spanning seven years of war, this landmark three-hour film gives a rare insight into the personal impact and legacy of this loss.

Materialista, idealista, cinematógrafo, magnetófono, buen chico y sádico