Princess Rajah Dance

A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery's visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.

This Christmas, step into the magical world of The Nutcracker. For the first time in many years, the Royal Ballet has given full access behind the scenes for a landmark 90-minute documentary as they prepare for this season's yuletide production.

A brief history of the emergence and artistic innovations of tango in 19th-century Argentina and Europe. The film offers a mosaic of tango melodies, art works, dance performances, historical footage, photographs of Buenos Aires at the turn of the 20th century, and texts by Celedonio Flores and Enrique Santos Discépolo.

A documentary exploring the origins and evolution of bucking, as well as the life stories and struggles of various Atlanta performers.

"La Gigue" (Gaumont #590) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "Danse fantaisiste" (Gaumont #589).

"Danse fantaisiste" (Gaumont #589) is part of the "Miss Lina Esbrard. Danseuse cosmopolite et serpentine" series of 4 films, and should not be confused with "Danse excentrique" (Gaumont #587), "Danse serpentine" (Gaumont #588, the only extant film in the series), or "La Gigue" (Gaumont #590).

Chao-Li Chi shadow boxes indoors and practices with a sword outdoors. Theoretically, the film describes in a single continuous movement three degrees of traditional Chinese boxing, Wu-tang, Shao-lin, and Shao-lin with a sword. A long sequence of the ballet-like, sinuous Wu-tang becomes the more erratic Shao-lin; in the middle, there is an abrupt change to leaping sword movements, in the center of which, at the apogee of the leap, there is a long held freeze-frame.

Annabelle (Whitford) Moore performs one of her popular dances. For this performance, her costume has a pair of wings attached to her back, to suggest a butterfly. As she dances, she uses her long, flowing skirts to create visual patterns.

Collection of archive breakdance footage

Artfully erotic nudity with plush, glamorous décor and sensual, atmospheric lighting: The Crazy Horse, in the French capital’s well-heeled eighth district, has been delighting audiences for 70 years with its special brand of classy Parisian cabaret.

This intimate, uncannily moving documentary profiles Norma Canner, a pioneer in dance movement therapy, who found in dance a way to help people who had been discarded by society. The film traces the evolution of Norma's career from Broadway actress in the '40s, through her ground-breaking work in creative movement with disabled and mentally retarded children in the '60s, to her present work as a dance therapist with adults. Utilizing drawing, music, theater, and dance in the context of other modes of therapy, her work has proved extraordinarily beneficial for handicapped individuals, as well as providing cathartic healing experiences for those with deep emotional scars; And her work with children who were blind, deaf, or autistic has became a model.

The story of Ohad Naharin, renowned choreographer and artistic director of the Batsheva Dance Company, an artistic genius who redefined the language of modern dance.

It's hard to define her. And that's precisely the way Lady Gaga wants it. Yes, Stefani Joanne Angelina Germanotta had a plan to remake herself into an outrageous icon. It began with Italian Catholic New York City roots then expanded to glam pop, electronic rock, burlesque and even jazz alongside nonagenarian crooner, Tony Bennett. Piano lessons began at age four and taught Stefani to create music by ear. There were lead roles in high school standard Broadway show productions then open mic nights at downtown clubs and 1 1/2 years of formal training at N.Y.U.'s Tisch School of the Arts. Even a rape at age nineteen slowed but did not stop the mission that would yield over 200 million combined album and song sales. No wonder that Gaga's fans call her "Monster Mother." An outrageous fashion sense has wrought costumes made of plastic bubbles and raw meat. While elaborate videos and spectacular stage sets are the norm,

An insight into the life of the world's most famous male dancer, Rudolf Nureyev.

Taking us through Bangarra Dance Theatre’s spectacular growth, we follow the story of how three young Aboriginal brothers — Stephen, David and Russell Page — turned the newly born dance group into a First Nations cultural powerhouse.

From Edison films catalog: One of the most peculiar customs of the Sioux Tribe is here shown, the dancers being genuine Sioux Indians, in full war paint and war costumes. 40 feet. 7.50. According to Edison film historian C. Musser, this film and others shot on the same day (see also Buffalo dance) featured Native American Indian dancers from Buffalo Bill's Wild West show, and represent the American Indian's first appearance before a motion picture camera.

Sisters Veena and Neena Bidasha have been bellydancing since their childhood and have travelled around the world learning, refining, performing, and teaching this ancient and erotic dance. Now they have created a series of videos to instruct students in the arm movements, shimmies, and sultry looks of bellydancing. BASIC DANCE begins with a brisk warm-up routine and continues with a step-by-step tutorial isolating the upper and lower body while slowly demonstrating each hip drop, shimmy, and undulation in the full choreographed routine.

Dance and prostitution play the same role for Cristhian’s body. Virtuosity, desire, technique, and sex intertwine, granting coherence to a way of life that offers many answers to few questions. A leitmotiv that reconciles opposites and contradictions. Answers that are sometimes painful, like all truths.

A retrospective of Chita Rivera's film, television and stage career, including interviews with Dick Van Dyke, Ben Vereen, Carol Lawrence and others. Originally aired as Episode 2 of Season 43 of the PBS series Great Performances.

A meditation on the misappropriation of Dancehall music while using Black Feminist Citational praxis.