Professor Nataraj, a historian, unearths some invaluable secrets of the past. Rekha, his daughter, seeks the help of Mohan, to save his findings from notorious criminals.
A tutor hired by a wealthy family witnesses a murder, while travelling by a train. She faces a dilemma when she realizes that the murderer is the patriarch of the family she has been hired by.
Bangarada Gudi is a 1976 Indian Kannada film, directed by K. S. R. Das and produced by C. H. Prakash Rao. The film stars Vishnuvardhan, Manjula, Ambareesh and Padmapriya in the lead roles. The film has musical score by G. K. Venkatesh. The director remade the movie in Telugu in 1979 as Bangaru Gudi.
A dozen foreigners are kidnapped by a terrorist group in the Philippines.
Passingness is a haunting exploration of identity, memory, and the fragile edge of reality. As the narrative unfolds through emotionally charged performances and a tense, introspective atmosphere, the audience is drawn into a fragile space between being and disappearing. A haunting meditation on identity, loneliness, and the terror of not being seen. Driven by intense, intimate performances, the story unfolds in layers of psychological tension, revealing inner scars, blurred truths, and the quiet terror of not knowing who you are or if you ever were.
A former hitman wallows in the idea of him having to come in terms with the fact that he is ageing up without a purpose (in this new life) as he is confronted by the demons of his past life.
In a dark night, a man takes help of a cyclist to get petrol for his motorbike.
Sanjay and Abhisekh, two friends are talking in a cafe. Sanjay slowly starts seeing things straight out of his darkest nightmares.
A thief breaks into a house in broad daylight, only to find another thief already at work. As they confront each other, suspicion turns into conversation, and in a quiet moment of unexpected kinship, one offers the other a cup of tea before they part ways.
A fatally ill mother with only two months to live creates a list of things she wants to do before she dies without telling her family of her illness.
Jarhead is a film about a US Marine Anthony Swofford’s experience in the Gulf War. After putting up with an arduous boot camp, Swofford and his unit are sent to the Persian Gulf where they are eager to fight, but are forced to stay back from the action. Swofford struggles with the possibility of his girlfriend cheating on him, and as his mental state deteriorates, his desire to kill increases.
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.
Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.
At the height of the Vietnam war, Captain Benjamin Willard is sent on a dangerous mission that, officially, "does not exist, nor will it ever exist." His goal is to locate - and eliminate - a mysterious Green Beret Colonel named Walter Kurtz, who has been leading his personal army on illegal guerrilla missions into enemy territory.
Joel Barish, heartbroken that his girlfriend underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realises that he still loves her, and may be too late to correct his mistake.
A fatalistic car crash in Mexico city sets off a chain of events in the lives of three people: a supermodel, a young man wanting to run off with his sister-in-law, and a homeless man.
The Idol of Paris is based on Paiva, Queen of Love, a novel by Alfred Schirokauer. Set in the mid-19th century, the film traces the rags-to-riches story of a girl named Theresa. Sleeping her way to the top, she becomes a highly sought-after Parisian courtesan, one worthy of the attentions of the Emperor Napoleon. But Theresa has no time for the Emperor, not with such virile lovers as Hertz around and about.
Por mí y por todas
A fusion of film and theatre based on the play of the same title by Micomicon. The film shows the play and its creative process. After her mother's death, Antonia finds a box which takes her and her daughter on a trip through Europe to former Yugoslavia. Remembrance, exhumations and wars. Life will not be the same.
No Plot Given.