Jesselyn Silva is a 15-year-old 3x national boxing champion. However, when she is on the cusp of making the Olympic team, she is forced to face her toughest battle yet, a cancer diagnosis.
After she discovers canisters of undeveloped film shot by her late father, Elene sets out on a journey to collaborate with him on a special project. Between the earth and the land of the dead, a darkroom becomes the only dimension where the paths of a father and a daughter can cross.
MORENA tells the uplifting story of the Philippine National Surf Athlete Ikit Agudo, who overcame the pressure to blend into a society obsessed with skin whitening. Within the ocean, she found happiness, strength, and pride in her roots. Inspiring young girls around the world to embrace who they truly are. In the Philippines, skin-whitening remains a billion-peso industry, a legacy of colonial beauty ideals that for generations have led many to neglect their true identity and natural beauty.
With this inventive portrait, director Kirsten Johnson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.
As filmmaker Maria Carolina Telles comes to terms with the death of her father, a man who regretted never making it to the frontlines of World War II, she focuses her lens on the life of another man who had his own unique experience as a civilian in the midst of combat: award-winning war photographer André Liohn.
The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.
A short film about ties and gaps between a child and a parent. The author rediscovers letters her dad used to write her from prison. That love seems to be gone now. She decides to write back in hope to find the connection again. She puts in writing what could not be said: blaming him for family´s break-up but also trying to understand.
For 17 years, filmmaker Jay Rosenblatt filmed his daughter Ella on her birthday in the same spot, asking her the same questions. In just 29 minutes, we watch her grow from a toddler to a young woman with all the beautiful and sometimes awkward stages in between. Each phase is captured fleetingly but makes an indelible mark. Her responses to her father’s questions are just a backdrop for a deeper story of parental love, acceptance, and ultimately, independence.
Fuck That
In 2022, when the economic crisis in her native country was at its peak, she decided to visit her family there. She turned her short trip into a collage-like diary in which she reflects on her relationship with her homeland, which is in a state of protracted decay. The film is composed of spontaneous snapshots capturing the author's stay, interspersed with inserted captions serving as personal, often poetically formulated comments and observations. As a result, the film does not hide its strongly subjective perspective, but at the same time builds on it to make an important statement that shows the transformation of Lebanese society in everyday details such as the appearance of the city itself or in the intimate sphere of the author's family life.
Four young girls prepare for a special Daddy Daughter Dance with their incarcerated fathers, as part of a unique fatherhood program in a Washington, D.C., jail.
Danny Abel’s documentary tells the incredible, all-American story of Jeremiah Heaton and his geographical conquest. It all starts in 2014, when Heaton lays claim to 500,000 acres of desert land between Egypt and Sudan; his initial aim is to establish a kingdom so that his daughter can be made a princess. What follows is media attention, a movie deal with Disney, and a shift in motivation: Heaton decides to create a bonafide nation, with industry, a military, and more.
You Are Still Somebody's Someone is a documentary from a daughter to her father. A film on the blurry paths of memory and the love for the person behind the diagnosis.
After a premonition of an unusual bird, a father loses his voice. His daughter undertakes a search to rediscover him, through an intimate narrative that explores the past, the new facets and the silences of a man who is no longer the same.
Raised on horseback in Blackfoot Territory and coached by her father, Logan Red Crow fights to become the first woman to ride the Indian Relay at the Calgary Stampede, a breathtaking, bone-breaking sport where riders vault from horse to horse at full gallop.
The portrait of a 97-year-old father with many facets: Poet, soccer player, winemaker, theater founder.
Alain Vastine, les combats d'un père
Ron, the filmmaker’s father, has a brain injury that affects his ability to situate himself and retain memories. Upon realising that her father no longer recognises her, the director decides to turn her father’s notebooks into a film that plunges us into the complexities of memory and the brain, full of creativity, humour and tenderness.
Jacqueline Lundquist's father, Donald C. Lundquist, served in Vietnam in 1967-68. While there, he wrote hundreds of letters and recorded many hours of audio tapes that he sent to his wife and daughter. A mere months after returned from the war, he died. Jacqueline was barely 5 years old. Her mother gave her the letters and audio tapes in her teens, but she didn't read them until the summer of 1997 when she was 7 months pregnant with her son, Sam. She was 34. That set her on a journey of getting to know her dad and retracing his footsteps in Vietnam. She ultimately befriended a North Vietnamese soldier who had fought opposite her father. His family had also kept all the letters he had written back to his wife and daughter. This is their contrasting yet similar story.
The director and her father take a camera in hand and film each other during interviews in which they discuss schizophrenia, their own pasts, and their personal conceptions of happiness. The film is a personal statement of two people affected by or marked by a mental disorder - a father forced to live with it and a daughter who had to grow up with a sick and often absent father. During filming, they try to find understanding for each other while revealing their inner traumas. One of the secondary topics is what it is like to undergo treatment for a mental disorder in Romania, as the father expresses frustration with the way he and his condition are viewed by the local healthcare system.