Escaping from Liberty

Trapped and alone, a young man must confront the pain he's ignored when he finds himself face-to-face with consequence.

A short film on the obsessive nature of love. How far can we take our attachment and devotion to our loved ones?

Where's the girl? Can you hold her for me? I need her now.

A dreamy lo-fi pseudo-intellectual experimental short contemplating the role of the number 7 historically as a symbol across cultures filtered through the lens of 8th graders

.wszechświat

Hoping to find a sense of connection to her late mother, Gorgeous takes a trip with her friends to visit her aunt's ancestral house in the countryside. The girls soon discover that there is more to the old house than meets the eye.

An experimental film directed by author Samuel R. Delany

A half-hour experimental film that shows Fukui moving towards cyberpunk imagery in a manner similar to Tsukamoto, featuring industrial locations, a malfunctioning cyborg/android and a hulking metallic ‘caterpillar’ that stalks characters.

Matarile

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

A weekend in the city park is meant for recreational activities. During a twenty minute period, several men seek out a way to pass their time at a cruising spot located in the heart of a small peninsular grove.

An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.

Frankie and Lucky, two young artists navigating love and identity in New York City, cross paths again after years of separation. Their reunion in a bookstore triggers a flood of memories, reopening wounds from their past relationship. As Frankie revisits the apartment they once shared, she reflects on their tumultuous past—Lucky's struggle with trust, Frankie's desire for autonomy, and the emotional weight of unspoken truths.

"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."

A trip that the author makes to a distant beach trying to find the place where his grandfather made a painting years ago.

“Omen, a dark and timeless traveler, emerges from the belly of a gutted sheep and finds himself in an unknown void. In this tormented space, a disturbing encounter awaits him: an Enchantress. Through silent revelations and hidden omens, a haunting and supernatural journey begins, in search of meaning beyond appearances.”

A loose sequel to "Self Reflection", "Inner Reflection" is about art, memories, filmmaking, and the director themselves, told through disconnected visuals and a man suffering from violent delusions.

At the center are takes which do not change - a tree in a field in Vermont, U.S.A. Since the film was shot over a period of fifty days, the single frame shots create a storm of pictures.

Intense high school senior Michael finds himself in a passionate series of hookups with a teammate on his track team, the enigmatic and mysterious Evan. This quickly dissolves when Evan realizes the extent of Michael’s feelings for him, plunging Michael into a kaleidoscopic rabbit hole of his own making.

Spoiled seven-year-old Vanka lives a carefree childhood. Going with his father to the Maslenitsa holiday, Vanka meets a runaway deserter in the forest, about whom he tells the adults. This act instantly deprives Vanka of his childhood, and the father of his child. The event opens his eyes to the adult world in which the child will have to live on.