The story of a six year old boy from Phoenix, Arizona whose dreams of becoming a Kungfu master lead him to the birthplace of martial arts - the legendary Shaolin Temple in China. His father must now face a heartbreaking decision and follow his son to China leaving the mother behind in America... a choice few parents could ever imagine.
Constructing a solitary reality by imagining what life would be like after the passing of her parents, director Allison Chhorn's intricate docu-fiction chronicles her own process carrying on work in the family's titular 'plastic house'.
‘Under the Weight of a Waking Dream’ is Zefier's debut swan song to the ending year. Comprised of poetry and endless enumerations is a diaristic film chronicling the lessons and contradictions found throughout the human experience.
The story of Nisar Ahmed Khan, told through his children and the people he served, a spiritual guide whose followers still visit his tomb on his birth and death anniversaries. And alongside how his family spends a few days at the village keeping his traditions alive.
The Spectacle is a short reflective documentary that explores the world of modern tourism. Filmed in various locations across Europe, the documentary unveils the transformation of serene landscapes into bustling tourist attractions. What remains truly seen and felt amidst the curated snapshots of our adventures?
A filmmaker journeys back to the significant places of his Kentucky upbringing to preserve the memories they still hold.
A cinematic journey through the world. Non-verbal.
Os Cães!
Bathed in the uncanny glow of late afternoon sun and set against a noisy highway, Interchange depicts the melancholy and isolation of a small working-class neighborhood on the outskirts of Montreal.
A man reads a letter from his away girlfriend while he contemplates on some memorable places in Jakarta, where they had spent time together.
Once the beating heart of Beijing’s steel industry, Shougang was a leviathan forged from iron and fire. Its blast furnaces once echoed with labour and ambition, embodying the raw force of China’s industrial might. Today, these same structures are repurposed into spaces of digital innovation and Olympic legacy, marking one of the most ambitious urban transformations in modern China. This documentary traces the metamorphosis of Shougang Park through three poetic chapters: its industrial past, the deliberate reinvention of its architecture, and its re-emergence as a tech-driven ecosystem. Through immersive visuals and the voices of those who once toiled within its furnaces and those now forging its future, The Pulse Beneath the Steel is more than a portrait of place. It is a meditation on memory and transformation at the heart of a city that bridges heritage and modernity.
A documentary on Asia Argento, made during the making of "the Heart is Deceitful Above All Things." Cinema has always been a part of her life, so much so that she cannot separate her childhood souvenirs from her film career. With Abel Ferrara, Peter Fonda, Marilyn Manson, Rancid, John Robinson...
Jo; or The Act of Riding a Bike is Zefier's third film.
Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.
County Magistrate, County Magistrate depicts a collective migration unfolding in an indeterminate time and place. Men, women, and children from a village move through mountains as the sky gradually grows dark, walking resolutely into the distance until they arrive at a new settlement. The abandoned courtyards they leave behind still bear traces of daily life: a steaming kettle, unfinished bowls of food, an old television flickering with static, and worn-out pieces of furniture. The camera then slowly pans to an outdoor movie screen showing After Armistice, a black-and-white film released in 1962. In the film, a man draws a business card from his pocket and introduces himself as Xianghe’s newly appointed county magistrate. At this moment, the story slips into another layer of fictional time and space.
Entre lo doloroso y lo inalcanzable
Art Kane, now deceased, coordinated a group photograph of all the top jazz musicians in NYC in the year 1958, for a piece in Esquire magazine. Just about every jazz musician at the time showed up for the photo shoot which took place in front of a brownstone near the 125th street station. The documentary compiles interviews of many of the musicians in the photograph to talk about the day of the photograph, and it shows film footage taken that day by Milt Hinton and his wife.
Set in the sparsely populated lobster fishing villages of southern Nova Scotia, Plains is a cinema vérité approach to documenting the curious lives of Jon and Cat, a young couple who are developing politically left-leaning virtual reality video games. Against the busy backdrop of their art practice, we sit in on their quiet rural life, which, in its proximity to nature and the vast green and oceanic spaces that surround, echoes the romanticism of a simpler time. As the decaying world of physical labour and the mechanical industry faces up to an expanding digital empire, Jon gradually retreats into the alternative realities of his own design.
The main protagonists of this slow-paced film are abandoned or suspended spaces associated with the production, distribution, and viewing of cinema in various localities across North Ossetia. The discussion of the decline of the film industry also serves as a way of pointing to the ambiguous position in which the progressive modernist project found itself in the late twentieth and early twenty-first centuries. Ignatov proposes poetic ways of establishing new relations with this project in response to the need to reinvent the links between past and future. The abandoned spaces are brought to life by two visiting musicians playing the uadynz, traditional Ossetian flutes.
A day in the life of a waitress/webcam model as she serves customers, deals with the world around her, and remembers why she does all of it in the first place.