Old college chums get together for a weekend reunion that is bound to open old wounds and perhaps heal them. New romances find a spark while old ones rekindle.
An unknown future. A boy confesses to the murder of another in an all-boy juvenile detention facility. More an exercise in style than storytelling, the story follows two detectives trying to uncover the case. Homosexual tension and explosive violence drives the story which delivers some weird and fascinating visuals.
The personification of Death's love for a lonely man is challenged when he falls for a lively woman.
Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?
CREMASTER 2 is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1.
CREMASTER 3 is set in New York City and narrates the construction of the Chrysler Building, which is in itself a character - host to inner, antagonistic forces at play for access to the process of (spiritual) transcendence. These factions find form in the struggle between Hiram Abiff or the Architect...
Artistic lovers, Viv and Jay, have become trapped in a vicious cycle of codependent heroin addiction. But when Viv’s wealthy parents hire an interventionist to take Viv to rehab, the couple decides to set off on their own with the help of a suboxone prescription... all they have to do is survive a harrowing night through drug withdrawal.
Tinskani mourns the death of his friend and mentor, Salvador. His partner, Citlali, urges him to attend the funeral with her, but Tinskani is haunted by the photograph of his friend's corpse. He'd rather wander through the town’s carnival, camera in hand, seeking to replace that ghostly portrait with new ones.
January 1978. After their success in England, the punk rock band Sex Pistols venture out on their tour of the southern United States. Temperamental bassist Sid Vicious is forced by his band mates to travel without his troubled girlfriend, Nancy Spungen, who will meet him in New York. When the band breaks up and Sid begins his solo career in a hostile city, the turbulent couple definitely falls into the depths of drug addiction.
Rasmus defends his Ph.D in Danish literature entitled "The Romantic Idiot", but with his special qualifications there are not many jobs around. To reduce his study loan he settles for a temporary teaching job at an adult education programme in the provincial town of Korsør. Here, Rasmus meets a complex group of people and takes part in their lives. He falls dramatically in love with one of his pupils, Signe, who dreams of having a child with her partner, Camilla. Playing the role of a romantic idiot in Korsør just isn't plain sailing for Rasmus.
toxic mother
Based on the novel "Šta bi učinio Zobec?" (What Would Zobec Do?) by Svetozar Vlajković. It's a short movie about a young man who is afraid of being turned down by a girl.
A short, silent, experimental film created by avant-garde created by Ukranian-born artist, Anna Malina.
"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.
England, early 20th century. The future writer and philologist John Ronald Reuel Tolkien (1892-1973) and three of his schoolmates create a strong bond between them as they share the same passion for literature and art, a true fellowship that strengthens as they grow up, but the outbreak of World War I threatens to shatter it.
Greece. A small, impoverished city-state dominated by a massive refinery—its only source of income: oil. The men, all armed, hold absolute power. Their leader, Nikos, is gravely ill and must arrange his succession. Shock spreads when he includes his protégé, Maria, among the contenders. The fate of this young woman—unaware of the most tragic part of her family’s past—will be turned upside down by the arrival of Eleni, a singer at the town’s bar.
Markopoulos called Lysis “a study in stream-of-consciousness poetry of a lost, wandering, homosexual soul” and felt that the film foreshadowed The Illiac Passion.
Based on Plato's dialogue Charmides.
Short experimental 16mm film.
The young hero seems the essence of maleness, yet he's troubled by vaguely feminine objects. Soon his masculine and feminine selves are intercut, as each of his identities appears to look and gesture at the other. The film, at once melancholy and transcendent, consists of a shimmering, nearly plotless evocation of gender identity in flux through haunting, densely interlaced images.