Cinema, Poema e Gangrena

PARALELLA PNEUMA - PART 1: IMORTAL

nasci ruy, morri herói

Founding a social Muay Thai project in the North Zone of Rio de Janeiro, Mestre BG and his competitors face the adversities of an underfunded project and fight to win their place on the podium. The challenges intensify when one of the students, Raíssa Pacheco, secures a spot to compete in a South American championship in Uruguay.

Feliz Aniversário, Villaça

GLAUBER MARCADO PARA MORRER

Seu Fiuza

A making-of directed by Bodanzky himself, the documentary discusses the language of the film Iracema - Uma Transa Amazônica 30 years after it was made, gathering interviews with the authors, actors, critics and the filmmakers themselves.

A Brazilian production that portrays a journey of struggle, faith, hope and transformation through powerful life experiences.

Baque Mulher: Dia de São Jorge

PARALELLA PNEUMA ½ - Jesus Chorou

Teatro em Jampa Vive

Four researchers record their perceptions as they walk through the patch of the BR-116 that goes through Canoas, Rio Grande do Sul, Brazil, looking for characters who’ve had their lives connected throughout the highway. The BR-116, the largest road in Brazil, crosses 10 states and connects Fortaleza to the municipality of Jaguarão, at the Uruguayan border, while also going through Canoas, splitting the city in two. The documentary brings testimonies from different people who share their life stories. “A Highway Movie” (2025) is the work that concludes Wender Zanon’s trilogy on Canoas, which starts with “This Is Canoas, Not Poa” (2021), followed by “Essays on a city” (2024).

Among bodies, jokes, eye-catching posters, and packed movie theaters, pornochanchada became one of the most popular- and contradictory- phenomena in Brazilian cinema. This documentary delves into a cinema of excess and irreverence to investigate how, during the military dictatorship, films apparently considered “minor” became box-office successes and exposed the fractures of a conservative, unequal, and closely watched country.

From Italian set designer to Brazilian stage director, Gianni Ratto, born in Italy in 1916 and based in Brazil since 1954, retraces the geographical path of his life, accompanied by his daughter, passing through Genoa, Milan, Florence, São Paulo, and Rio de Janeiro, visiting places and people who marked his journey. At each encounter, Gianni speaks of his work and reveals the ideas of someone who not only executes but also thinks about theater from a humanist perspective.

Fraternura

Bandidos de Farda

Documentary by Leon Hirszman about the economic conditions of film production in Brazil, produced in 1975 with sponsorship from Embrafilme and kept unreleased since then.

In 2012, Beatrice, a young adult, came from Acre to study Cinema at a renowned university in Belo Horizonte, with the intention of experiencing new experiences. As the days go by, she begins to identify challenges regarding the new change. Missing his family, insecurities, in addition to prejudice, pass through his life. She, not knowing what else to do, connects with her mother seeking answers and redirection to overcome her difficulties.

Catarse

A Experiência Cruspiana