Quando as Mulheres Querem Provas

After an Ithaca College student films his one-night stand with a beautiful sorority girl, he discovers one of his friends has accidentally mailed the homemade sex tape to his girlfriend in Austin. In a frenzy, he must borrow a car and hit the road in a desperate bid to intercept the tape.

A lazy law school grad adopts a kid to impress his girlfriend, but everything doesn't go as planned and he becomes the unlikely foster father.

Richie and Eddie are in charge of the worst hotel in the UK, Guest House Paradiso, neighbouring a nuclear power plant. The illegal immigrant chef has fled and all the guests have gone. But when a famous Italian filmstar, Gina Carbonara, who is in hiding from a fiance she doesn't want to marry, arrives at the hotel, things get very interesting!

Restless and ready for an adventure, four suburban bikers leave the safety of their subdivision and head out on the open road. But complications ensue when they cross paths with an intimidating band of New Mexico bikers known as the Del Fuegos.

Three middle-aged daddies visit California to have a marvelous time at the beach. When they learn that a nice apartment and an expensive cabriolet isn't enough for them to score with the chicks, they employ a student to help them. At first he's as disgusted of them and his job as his girlfriend, but soon they find out how to use the situation to everyone's benefit.

This is Bill Hicks' LIVE final televised interview where he appeared on the Austin, Texas public access television show CapZeyeZ, hosted by Metal Dave. He appeared on this interview prior to his performance at the Laff Stop at which his album "Rant in E Minor" was recorded. With this interview we are privileged with some of Hicks' intuitive criticisms and some "fresh" material.

Quand la télé dérape, 40 ans de scandales

A bootloeg of Bill's SECOND to last live performance at Igby's Comedy Club in LA on January 5, 1994.

The picaresque and touching story of the politically incorrect, fully lived life of the impulsive, irascible and fearlessly blunt Barney Panofsky.

Triumph the Insult Comic Dog hosts his game show "Let's Make a Poop" live from the Castro Theatre at SF Sketchfest. With announcer Michael Winslow, guest panelists Weird Al Yankovic, Adam Savage, and Rob Schneider, and special appearances by Thomas Lennon, Amber Ruffin, and Dave Hill. Plus a very special tribute to Blackwolf the Dragonmaster. Recorded live on January 21, 2024.

Failed actor-turned-worse-high-school-drama-teacher Dana Marschz rallies his Tucson students as he conceives and stages politically incorrect musical sequel to Shakespeare's Hamlet.

Fritz, now married and with a son, is desperate to escape from the domestic hell he now finds himself in. Lighting up a joint, he begins to dream about his eight other lives, hoping to find one that will provide a pleasant distraction.

A dysfunctional couple head to a remote lakeside cabin under the guise of reconnecting, but each has secret designs to kill the other. Before they can carry out their respective plans, unexpected visitors arrive and the couple is faced with a greater danger than anything they could have plotted.

A farm girl learns she is a princess and is swept away by a tornado to the land of Oz.

BE MORE CYNICAL was originally aired on HBO, and offers viewers a chance to see Maher's full routine, which sees him tackling a wide array of topics, and leaving the audience recoiling in laughter.

A group of physically disabled lowlifes plans the the perfect heist, but things go south as each reveals an agenda of their own.

On the gritty streets of LA, the destinies of four people desperate for connection and redemption are about to collide.

Information Violence

Bezhin Lug (Bezhin Meadow) was to be a Soviet film about a young farm boy whose father attempts to betray the government for political reasons by sabotaging the year's harvest, and the son's efforts to stop his own father to protect the Soviet state, culminating in the boy's murder and a social uprising. Assigned to Soviet film-maker Sergei Eisenstein, the filming followed the same path as with his previous effort, "Que Viva Mexico", into cost overrun and over-shooting of footage. Furthermore, Eisenstein's usage of forbidden experimental film techniques outraged his government superiors, who ordered the film destroyed before it was even completed. All that survives are the first and last frames of each shot, preserved by Sergei Eisenstein’s wife, Pera Atasheva. The 1967 reconstruction, by Naum Kleiman of the Eisenstein Museum and Sergei Yutkevich of Gosfilmofond, places these frames in order, approximating the original film.

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