What Makes Me Take the Train

An Anders Weberg Short Film. Part of his Peer to Peer project

Short experimental film based on the theme of waiting, and how with time good things will come.

'Still Lives' comprises a trilogy of films by Patrick Sheard; Lamenta, Libertas and Exitus, anthologized here in their entirety.

A film-parable about the eternal movement of mankind from the Stone Age to self-destruction.

A magician encounters the void that separates the human mind from divine consciousness and in turn faces the mad god.

A young apprentice god and his trusty mount have a job to do: nudge the moon and bring about the day.

A lonesome man at the threshold of death finds himself trapped in a place called the Endless.

A costume designer is sent to the Catskills for an interactive theatre piece set in the 1920s. When she arrives things seem dark, strange and off. She soon realizes she is part of a student film.

Two men are connected by a television, strange calls, creative struggle and weird dreams (Made during the COVID-19 pandemic).

In a world where everything is forbidden except what is obligatory, a man recalls what led him to work in a very strange fast food restaurant.

Jours de mes années

A gloomy tale or a completely innocent family picnic on the open air ...

Ema Nudar Umanu is the story of the dream of a woman who has died told to a man born from a duck's egg in a jungle far from anything. It is the story of a couple forced together, coming to realise that what they each wish for is to be one another. It is a story about the point at which life is death, love is loneliness, man is woman and dream is reality. Five weeks from initial concept to shot and made on the barest of budgets, the film is an unprecedented undertaking that brings to life a dream from beyond the grave. Ema Nudar Umanu is a romance of liberty, draped in tragedy, comic and absurd.

Four high school friends hatch a plan for a farcical heist that sends them spiraling into a series of surreal events littered with clowns, fast food, and ‘rakenrol’, in an even more absurd nation of squalor and entertainment.

A stranger arrives in Sarajevo and barges into Damir's reclusive world. Little by little she takes over his life. She absorbs his dreams, until finally she threaten his very existence.

Begotten is the creation myth brought to life, the story of no less than the violent death of God and the (re)birth of nature on a barren earth.

Two lovers in shifting waters.

Sometimes it is very difficult to distinguish dreams from reality. What is a dream? Oblivion or flight? Dream collaboration with a love that no choice could suddenly seize every Love is invisibly present in everything:. In burning candles, trembling petals, or the whisper of the wind trembling wings of a butterfly - Failure to nowhere, drop into eternity, infinity soaring - Plast problems and worries of everyday savings, suffering, expectations. But then: dive in yourself, in its essence, in its original And the gap:. dizziness, drop, hover, dive into the freshness of dew, moisture, spring - Finally: enlightenment, cleansing , clarity of thought, the joy of existence. And then, the flight again, merger and dissolution of eternity.

An unnamed passer-by is forced to trace a circular route inside an abandoned tram station, facing loss and time. The broken walls act as a channel, transmitting fragmentary, blurred and analogical memories. 

Kinkón (1971), a silent adaptation of Merian C. Cooper and Ernest B. Schoedsack’s 1933 classic, King Kong. Zulueta re-filmed a television broadcast of the original, and through creative subtraction and manipulation of camera speed, condensed the original’s feature length to an intensified seven minutes. The cathode-ray flicker and flattening that results from the re-filming defamiliarises the original, but its classical continuity mode of address continues to operate on the viewer, and the increase in velocity makes mesmerisingly urgent the dramatic plot of the original. —Senses of Cinema