Frozen Image

Lines align during acclimated apexes, shadowy vertices, and bright burrows.

Still it's really tall. Still it's really floundering/falling/fading.

Slowed, stowed, achingly retold.

Corpus II Home presents a fatalist visualisation of the psychological effects of the world coming to a standstill. The mind becomes hyper aware of itself, every thought, every movement is methodically registered and evaluated, creating a suffocating environment that will have brutal consequences.

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”

Within a single space, the director treats the sorrows of two people married to each other.

August 2019. Frank recognizes his own story of twenty years ago in a recently published book. He remembers Marie, with whom he had a relationship before she moved to the United States and disappeared from his life. Frank sets out in search of her and finds himself in a USA petrified by a heat wave and lost in suspicion and political paranoia. He heads into the desert in pursuit of Marie.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

A teenager decides to shut himself off from the world around him after receiving bad news.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Suzie ironing, Jane sitting on a couch, Jack walking in and out of the apartment, and the occasional solo singing number by Suzie or Jane. At one point the rabbits also make contact with their “leader”.

A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.

CRISP., wherein a jealous man's attempt to steal a delicious apple crisp causes reality to break down and begins a chain of events leading to an endless cyclical loop of jealousy and theft.

A costume designer is sent to the Catskills for an interactive theatre piece set in the 1920s. When she arrives things seem dark, strange and off. She soon realizes she is part of a student film.

Two men are connected by a television, strange calls, creative struggle and weird dreams (Made during the COVID-19 pandemic).

Attempts to showcase how the creation of art directly correlates to the perception we have of ourselves and the life around us as shown through the eyes of a struggling family.

A dark formless body moves . Formlessness of an entity is because a constant change in form is perceived as formless

Number Two’ is an audio visual work which materializes the definite possibilities of sight and the existence of light in space with the drama in between image and sound as a reaction . It treats the surface of the film itself as a digital artefact that forms an image with a human intervention .It can be seen as an enlargement of a moment in time where form and space breaks inside an indefinite reality .

A visual daydream of a late afternoon swim in the waters of a summer in Sicily.

This film tell us about intricate attitudes in male collectives on navy. The film bore in poetical form with respect for differently minded heroes.