Granny Gabai

Set in 1988 in Hiroshima, Japan, prior to the enactment of the anti-organized crime law. A rumor exists that Detective Shogo Ogami has ties with the yakuza. He is partnered with Detective Shuichi Hioka and they investigate a missing person case involving a financial company employee. Conflicts between opposing yakuza groups become more serious.

Kiroku boards with a Roman Catholic family and falls for the daughter Michiko. He ignores his feelings, joins a gang, gets in fights and, eventually, becomes involved with the radical Kita Ikki group.

This sensuously beautiful film chronicles the activities of four sisters who gather in Kyoto every year to view the cherry blossoms. It paints a vivid portrait of the pre-war lifestyle of the wealthy Makioka family from Osaka, and draws a parallel between their activities and the seasonal variations in Japan.

Two different students—a successful but aloof academic and a rebellious but kindhearted delinquent—form a friendship through their love of jazz music.

The background is Yuraku-cho in Tokyo and the film shows how desperately the women, who had led sheltered lives before the war, struggled to keep alive and the innate strength of post-war women.

Seigo Yoshioka (Kenji Sakaguchi) is a teacher that became mute after a kendo accident. He feels lost after the accident and eventually decides to teach again on a small island where his mother was born. The children there on the island quickly name him "Kikansha Sensei" (Teacher Locomotive) after learning he is mute. The parents on the island are mostly hostile to Seigo Yoshioka, believing he is incapable of teaching their children. But with Seigo Yoshioka's determination and kindness, a strong bond develops between the students and the mute teacher, which then changes the parents' opinions of Seigo Yoshioka. Suddenly, tragedy then strikes ...

Shozo Hirono has managed to separate from the Yamamori family and create his own small family, and extend his circle of acquaintances. These new friendships include a powerful underboss of the Muraoka family, Noboru Uchimoto.

As Japan gears up for the 1964 Olympic games, the cops start to crack down on the gangs, under pressure from the public and the press, adding a new dimension in the war for power among the yakuza families of Hiroshima.

Repeatedly beat to a pulp by gamblers, cops, and gangsters, lone wolf Shoji Yamanaka finally finds a home as a Muraoka family hitman and falls in love with boss Muraoka's niece. Meanwhile, the ambitions of mad dog Katsutoshi Otomo draws our series' hero, Shozo Hirono, and the other yakuza into a new round of bloodshed.

Young Guy (Kayama) competes in an electric guitar competition and plays American-style football.

The arranged marriage between a capricious woman from Tokyo high society and a quiet rustic man is tested by a marital crisis.

A year has passed in postwar Tokyo, and struggling writer Chagawa enters the Akutagawa Prize competition in hopes of securing a better future for the boy in his care, while the Suzuki family unexpectedly take in a new relative who looks down on their humble way of life.

Widower Shuhei Hirayama's caretaker is his 24-year-old daughter, Michiko. Gradually, he comes to realize that Michiko should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.

Komatsu Takioka is boss of a Yakuza group rival to Masakichi Kijima boss of the Kikuya group which supports the town vendors unlike Takioka, who will stop at nothing to undermine the vendors and take over the territory. Masakichi will do all he can to protect and support the people. Ryutaro Kijima is senior son to Masakichi, though disowned, he keeps interest in the family from a distance. He will be there for his father and his hot tempered younger brother Katsuo, if they should need his loyal help.

Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of geisha. But Otsuta will not give up. This film portrays the day time life of geisha when not entertaining customers.

The story of a village woman given the grueling task of looking after (and fulfilling the sexual needs of) her quadruple amputee husband, a Japanese soldier in the Second Sino-Japanese War who has been decreed a "War God" by the Emperor.

Fleeing a distressing family situation, Eiko, a very young girl, becomes an apprentice to Miyoharu, a veteran geisha. Both, determined to preserve their professional integrity, must face the selfishness and ambition of several petty people.

Taking the Chilean coup as an example, a group of young officers plan to overthrow the Japanese government on V-J Day. They aim to abolish the post-war constitution, restore the national army and revive the traditional spirit of Japan. As the conspiracy is exposed, the coup squadrons are wiped out one by one. The remaining squadron takes over a night train bound for Tokyo.

This is the sixth film in the Brutal Tales of Chivalry series

The ninth and final film in the Contemporary Tales of Chivalry series.