Colosseum - Rome's Arena of Death

Nazi propaganda film about the Condor Legion, a unit of German "volunteers" who fought in the Spanish Civil War on the side of eventual dictator Francisco Franco against the elected government of Spain.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

St. Joseph Fort: Principality of Pontinha, the diamond that illuminates the Atlantic Pearl.

The Richardson Olmsted Campus, a former psychiatric center and National Historic Landmark, is seeing new life as it undergoes restoration and adaptation to a modern use.

A film about how people lived and worked in the Swedish town Ulricehamn in the late 1950s.

This is the story of Queen Victoria as never heard before; a psychological insight of the woman told through her own words, her experiences recounted solely through her personal diaries and letters.

A documentary by Donna Zaccaro about the political trailblazer, Geralidine Ferraro. Featuring interviews with Bill and Hillary Clinton, George and Barbara Bush, Walter Mondale, and Geraldine Ferraro herself, among others, this is a heartwarming and engrossing portrait of the first woman who was nominated for vice president, whose legacy still reverberates today.

In the 1920s, former coal miner Harry Hoxsey claimed to have an herbal cure for cancer. Although scoffed at and ultimately banned by the medical establishment, by the 1950s, Hoxsey's formula had been used to treat thousands of patients, who testified to its efficacy. Was Hoxsey's recipe the work of a snake-oil charlatan or a legitimate treatment? Ken Ausubel directs this keen look into the forces that shape the policies of organized medicine.

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

A documentary about the United States Military Academy at West Point that conveys the vibrancy, sense of fraternity and fierce loyalty that mark the West Point experience.

This documentary film is the continuation of “Digging Out the Truth” and it shows the mourning of the families of those who were, until recently, missing. During this second investigation the team discovered more graves close to the Moroccan wall and its accompanying line of antipersonnel mines. There are still more than 400 Saharawis missing in the Western Sahara.

Documentarian Jeffrey Morgan set out to the track one woman's search for the truth about her great-great-aunt's 1908 murder. But his film quickly became a fascinating study of racism, revenge and family secrets. In the process of uncovering information about her ancestor's violent death at the hands of an African-American suspect, the woman learns that her family tree might have also produced a few murderers.

What happened after Einstein fled Nazi Germany? Using archival footage and his own words, this docudrama dives into the mind of a tortured genius.

Once upon a time there was a garden, a refuge, a safe haven - 'The Garden of the Finzi Continis'. It came to life in Giorgio Bassani's 1962 semi-autobiographical novel recounting an unfulfilled love story between two young Jews in Ferrara, while fascism was raging in Italy in the late 1930's. In 1972, Vittorio De Sica's film adaptation of the book won the Oscar for Best Foreign Language Film. Since then, the fictional space of the garden became so tangible that people from all over the world come to Ferrara to look for it. Fifty years after winning the Oscar, reality and fiction come together once more, as we walk through an imaginary garden and bring to life the book, its author, its main protagonists, history, love, friendships and betrayals.

A 1956 Belgian film, Low Light and Blue Smoke, showcases the music of American blues guitarist Big Bill Broonzy, capturing his performance at the Chapel of Les Brigittines in Brussels during his 1956 European tour.

An immigrant, working-class family lives through the horrors of the 20th century and raises a son who honors them. This memoir film is told entirely with image, music, and sound by filmmaker and sound designer Hamilton Sterling, guitarist and composer Ralph Towner, and Grammy winning music producer Jimmy Haslip. Available Now on: watch.eventive.org

It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."

The true historical account of the Illuminati, exposing the actual rituals of the secret society, and answering the age-old question of whether or not the order still exists.

In the summer of 1900, the first film camera was purchased by Mozaffar ad-Din Shah Qajar for Iran, and immediately the first Iranian moving images were captured by this camera. These images, in an obsessive manner, have embodied the mesmerized gaze of people. In the span of 79 years since the purchase of this camera, Iran has undergone two revolutions and two coups, and throughout all these moments, the camera has been present as the recorder of people's mesmerized gazes. These mesmerized gazes are in a way as if they are the ones looking at us, not the other way around. It seems like these gazes are trying to convey something, but what? No one knows. Now, we gaze at those who have gazed at us from a distant time.

Hosted by actor and historian Sir Tony Robinson, this one-off special tells the powerful and moving story of five men, all members of a unique volunteer army – the Sheffield City battalion – as it recounts the soldiers’ last days, leaving their homes and loved ones to go and serve alongside their friends and neighbours, completely unaware of what lay ahead of them. Central to the programme is the story of Private Frank Meakin, who recorded his unique personal testimony of the war. Frank and his friends could never have anticipated what they would experience, but 100 years on we know in detail, thanks to his diary – an account that shouldn’t have existed, because keeping one was forbidden for servicemen on active duty on the Western Front. Frank’s diary, which was smuggled back from the Front, reveals the intimate details and dramatic stories of one battalion – and one British city – in the words of one man.