The Frank Truth

Gruneisen: El primer corresponsal de guerra

In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.

George Carlin brings his comedy back to New Jersey and this time talks about Offensive Language, Euphemisms, They're Only Words, Dogs, Things you never hear, see or wanna hear, Some people are stupid, Cancer, Feminists, Good Ideas, Rape, Life's moments, and organ donors.

How do you put a life into 500 words? Ask the staff obituary writers at the New York Times. OBIT is a first-ever glimpse into the daily rituals, joys and existential angst of the Times obit writers, as they chronicle life after death on the front lines of history.

A mockumentary following the rise, fall and continued tribulations of former internet personality Chet Larson and those associated with him.

In 1973, martial arts great Bruce Lee died, his final film, Game of Death, left unfinished. With the public hungry for more Lee, movie execs decide to find a replacement. This outrageous satire looks at the entire process, from the oddball candidates to the greed and racial motivations that drive the final decision. There's big business in the movies, and Finishing the Game skewers it with an eye for '70s detail.

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

This film examines how media empires, led by Rupert Murdoch's Fox News, have been running a "race to the bottom" in television news, and provides an in-depth look at Fox News and the dangerous impact on society when a broad swath of media is controlled by one person. Media experts, including Jeff Cohen (FAIR) Bob McChesney (Free Press), Chellie Pingree (Common Cause), Jeff Chester (Center for Digital Democracy) and David Brock (Media Matters) provide context and guidance for the story of Fox News and its effect on society. This documentary also reveals the secrets of Former Fox news producers, reporters, bookers and writers who expose what it's like to work for Fox News. These former Fox employees talk about how they were forced to push a "right-wing" point of view or risk their jobs. Some have even chosen to remain anonymous in order to protect their current livelihoods. As one employee said "There's no sense of integrity as far as having a line that can't be crossed."

In the war-torn year of 2016, a young frat-boy encounters a 'grody' clown across a suburban street. What follows is violence so sensational it'll make headlines!

A notorious political satirist conceals his identity and poses as a political candidate.

Neil Hamburger is a two-bit stand-up with a bad comb-over--an aging, phlegmy jokester with a penchant for cheap celebrity jabs. He's also the brilliantly odd creation of Gregg Turkington, a decidedly more gifted comedian who has found a loyal cult following for his Tony Clifton-esque character. In this concert release, Hamburger performs a handful of twangy country tunes alongside the Too-Good-For-Neil-Hamburger Band, a name that speaks the truth: the back-up group includes veteran rockers Prairie Prince, David Gleason, and Atom Ellis.

George Carlin changes his act by bringing politics into the act, but also talks about the People he can do without, Keeping People Alert, and Cars and Driving part 2.

"Nobody told us that they would kill us, but neither did they tell them they would not silence us". Women journalists from several parts of Mexico who cover the beat of hard news, reveal the challenges they face when doing their work with various actors: their sources, law enforcement officers, drug trafficking and the state. Mexico is one of the most dangerous countries in which to practice journalism. Several reporters have been assassinated since 2000. Within this context, female journalists face a double challenge: firstly, to work in a country with a high level of anti-press, violence, and, secondly, the state and situation of their gender in a country riddled with femicide.

Una risata ci salverà

In his excellent Someone Likes Yoghurt, Herrring shares with us his world of gonorrhoea-transmiting magpies, his attempts to become successor to Pope John Paul II, and his local supermarket's utterly humiliating new checkout service: the grocery interrogation.

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

A seasoned reporter is faced by a new challenge, interviewing a coral reef. A satirical look at our ecosystem and the effects humans have on their environment.

A travelogue inviting viewers of today to come visit the future. The person who found this mysterious 16mm film in his basement in 1973, Rev. Ivan Stang, later ran The SubGenius Foundation, the Slack Prophecy religion devoted to Texas cult religion salesman J.R. "Bob" Dobbs.

A documentary on the six-decades long career of a muckraking journalist, who was involved with the radical 196os magazine Ramparts, with the Los Angeles Times newspaper, and later with the Internet website Truthdig.

This short satirical film, created entirely from archival footage, is about the British Empire—on which the sun never sets. The majority of the humour and wit is found in the interplay between image and sound: what we see during the formative days of the Empire, and what famous servants had to say about it. Edited by Oscar®-nominated experimental filmmaker Arthur Lipsett (Very Nice, Very Nice).