Arles : la sortie de St-Trophime

Charles Dekeukeleire, then a questioning Catholic, was spurred into making this documentary on a pilgrimage with the Catholic Young Workers’ Movement. The director’s approach is one of critical reflection; A film emotional and fervent, even acerbic.

Educational short film about the solar eclipse

Join the Mars rovers Spirit and Opportunity for an awe-inspiring journey to the surface of the mysterious red planet.

Coral Reef Adventure follows the real-life expedition of ocean explorers and underwater filmmakers Howard and Michele Hall. Using large-format cameras, the Halls guide us to the islands and sun-drenched waters of the South Pacific to document the health and beauty of coral reefs. Featuring songs written and recorded by Crosby, Stills & Nash.

Sea life in a whole new way. Deep Sea 3D, an underwater adventure from the filmmakers behind the successful IMAX® 3D film Into the Deep, transports audiences deep below the ocean surface. Through the magic of IMAX®; and IMAX 3D, moviegoers will swim with some of the planets most unique, dangerous and colorful creatures, and understand this inspiring underworld.

Retrace the groundbreaking footsteps of Charles Darwin with a young scientist as she explores the biological diversity and unique geologic history of the Galapagos archipelago. Using the magic of IMAX® and IMAX® 3D technology, plunge 3,000 feet into underground lava tubes, soar over the peaks of 5,000 foot volcanoes and encounter an abundance of marine life.

The Living Sea celebrates the beauty and power of the ocean as it explores our relationship with this complex and fragile environment. Using beautiful images of unspoiled healthy waters, The Living Sea offers hope for recovery engendered by productive scientific efforts. Oceanographers studying humpback whales, jellyfish, and deep-sea life show us that the more we understand the ocean and its inhabitants, the more we will know how to protect them. The film also highlights the Central Pacific islands of Palau, one of the most spectacular underwater habitats in the world, to show the beauty and potential of a healthy ocean.

The story of the evolution of tropical rain forests, their recent and rapid destruction, and the intense efforts of scientists to understand them even as they disappear. This film gives viewers a better appreciation of the importance of tropical rain forests on a global scale.

An appreciative, uncritical look at silent film comedies and thrillers from early in the century through the 1920s.

From the banks of the Bahamas to the seas of Argentina, we go underwater to meet dolphins. Two scientists who study dolphin communication and behaviour lead us on encounters in the wild. Featuring the music of Sting. Nominated for an Academy Award®, Best Documentary, Short Subject, 2000.

The Dangers of the Fly is an educational film made by Ernesto Gunche and Eduardo Martínez de la Pera, also responsible for Gaucho Nobility (1915), the biggest blockbuster of Argentinean silent cinema. De la Pera was a talented photographer, always willing to try new gadgets and techniques. This film experiments with microphotography in the style of Jean Comandon's films for Pathé and it is part of a series which included a film about mosquitoes and paludism and another one about cancer, which are considered lost. Flies were a popular subject of silent films and there are more than a dozen titles featuring them in the teens and early twenties.

Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.

Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.

A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.

"[Hutton’s] latest urban film, New York Portrait, Chapter III, takes on a unique tone in relation to Hutton’s ongoing exploration of rural landscape. The very fact that Hutton is dealing with older footage, with archives of memory more than immediacy, gives it a different texture than his earlier New York films. Hutton always found the presence of nature in the city, not only in his many shots of sky and vegetation, but also in the geometry and texture of the city itself, which seemed to project an independence from the human." (Tom Gunning)

A documentary from Erkki Karu, one of the earliest pioneers of Finnish cinema: This government-produced propaganda film introduces the nature, sports, military, agriculture and capital of Finland.

A medium-length film that takes the central place in the video installation "The Lady of Corinth". In both the medium-length film and the installation, Guerin delves into the relationship between cinema and painting based on Pliny the Elder's account of the invention of painting.

Most movie fans know that the first filmmakers liked to shoot trains entering stations. This example by Sussex film pioneer George Albert Smith illustrates why. The train's rush towards the audience brings movement and visual drama. The flurry of human activity offers plenty for the audience to engage with - who are these people and where are they going? And the time pressure exerted by the fact that the train must soon depart adds narrative tension - will everyone get on and off in time?

Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.

In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min